Showing 1 - 10 of 66
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Return to paradise
Life, Kong Rithdee, Published on 13/01/2022
» At Maya Bay, hawk-eyed park officials patrol the sandy stretch, whistles at the ready. It was a gorgeous morning last Thursday, just days after the fabled beach on Phi Phi Leh Island had reopened after three years of closure, and the 300 or so holidaymakers, masked or otherwise, were ambling or striking catwalk poses on the pillow-soft sand, awestruck by the emerald splendour around them.
The Year of Great Reckoning
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.
Rhapsody in black and white
Life, Kong Rithdee, Published on 13/12/2018
» This is plain simple: Roma must be seen on the big screen.
Thai idols fall in line with orthodoxy
News, Kong Rithdee, Published on 01/09/2018
» Poor coup-makers, no one wants to see them on TV. At 6pm sharp when the theme song begins, there's a rush of hands to the remote control. Not that you can escape them. The true mark of dictatorship is audiovisual dictatorship: They beam their images on every TV and radio channel, monopolising your sensory reception, like a sci-fi movie, or like a spoiled child demanding your full attention. At 6pm every day for the past four years, the hands clutching the remote have reached for the only possible button. Off.
All that glitters
Life, Kong Rithdee, Published on 17/08/2018
» The director as a priest, the camera a confessional box, and the idols worthy of worship become teary girls choked by emotion.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
Stop the tall tales about election dates
News, Kong Rithdee, Published on 26/05/2018
» There's no way round it and there's no time for subtlety: The past four years have been a sham, a false dream stage-managed by false prophets.
Really, who gets to walk the red carpet?
Life, Kong Rithdee, Published on 11/05/2018
» This is the question I've been asked several times -- not because I'm a veteran of the fabled Cannes red carpet (it's long, intimidating and tedious, plus I'll never invest in a tuxedo that would make me look like a waiter anyway), but because I've been a ringside witness to the said red carpet in the past 16 years of my visiting the festival. All the thousands of photographs of stars, models, actors -- beautiful people of planet Earth, or planet Cinema -- preening down the tapis rouge at Cannes have become even more famous, more recognisable, more awe-inspiring than most of the films shown here. The aura of glamour, fame and radiance actually makes a lot of people think of Cannes as the red carpet, and not the films it shows or its coveted top prize, the Palme d'Or.