Showing 1 - 8 of 8
Friends through the years
Life, Kong Rithdee, Published on 02/10/2017
» From the exchanging of envoys to the bond between the two monarchies, from a Thai football star in J-League to a Japanese actor in a major Thai movie, from Thai liquor to Japanese dessert, Japan and Thailand have treasured a relationship that has strengthened, politically and culturally, in recent years.
Hunting the Antichrists a sign of fear
News, Kong Rithdee, Published on 05/11/2016
» As the mourning period continues, the hunt for Antichrists has also intensified. Are they the two consequences of the same cathartic loss of Oct 13? Yes, definitely. In light there's also darkness, in grief there's also hatred, and in this strange period of limbo the grip is being tightened.
Evocative hymn to Thai rice
Life, Kong Rithdee, Published on 23/01/2015
» This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.
Missing Picture, Berkeley premiere at Salaya Doc
Life, Kong Rithdee, Published on 04/01/2015
» It’s funny and sad that some Thai academics are still embroiled in a debate about whether documentary film is film. Funny, because it is. Sad, because Cambodia, whose film industry and film schools are struggling hard to regain their cultural significance, has a documentary film that won a prize in Cannes and was nominated for the latest Oscars — in the foreign language category where it competed with four other fiction films. That film, The Missing Picture, will finally have a Thailand premier at the “4th Salaya International Documentary Film Festival”, a cine-event that has consistently gained ground and reinforced the importance of documentary filmmaking as art and as a social statement.
The romanticisation of scars
Life, Kong Rithdee, Published on 15/08/2014
» Is it fair to compare art? To compare, with the case at hand, the new movie version of Plae Kao (The Scar) with the movie version of Plae Kao, out in 1977 and still remembered (even revered) as a classic?
Never forget, death is not an illusion
News, Kong Rithdee, Published on 01/03/2014
» In our season of mass delusion, what is real? Life and death are real, but particularly death. Death by suicide or by murder, but particularly murder. Deaths of adults and of children, but particularly of children, at Ratchaprasong and in Trat, as well as in Narathiwat, where three siblings, the eldest 11, were killed on Feb 3, and which of course we’ve almost forgotten about because even in death there’s a hierarchy of public attention and allotment of air time. There was also the 14-year-old boy Kunakorn Srisuwan, shot dead by a military bullet (as the Criminal Court ruled) near Soi Mor Leng in the red-shirt riots of May 2010. That’s one death we've definitely forgotten. The only story that orphan boy ever had in his life is about his death.
Reaping what they Sow
Life, Kong Rithdee, Published on 24/01/2014
» Rice is what has raised Thailand, but our staple crop hasn't raised many smiles in the Land of Smiles lately. When Uruphong Raksasad set out to make Pleng Khong Khao (The Songs Of Rice) two years ago, he didn't imagine that his documentary would acquire a timely resonance now that the epic mess of the government's rice-pledging scheme has become an escalating imbroglio and national embarrassment. Rice, the filmmaker believes, is the soul of the country, but the song it sings has unfortunately turned into a sad one.
In rocks we trust
Life, Kong Rithdee, Published on 21/03/2012
» Our boat cut through the dark water in search of light. Salt-sprayed, wind-whipped and guided by shadows, we finally found it: in the lagoon of Kudu Island, a screen had been erected and projector installed. Gently bobbing before it was a floating lounge, a deconstructible auditorium for the castaways who imbibed cinema, hoping (or dreaming) that it were elixir. Soon a beam of light from the projecting tower pierced the darkness and illuminated the white canvas: it was indeed a cinema, and a unique cinematic experience. Hardly men had gone before to such length to enjoy movies. And of course, this is Thailand.