Showing 1 - 10 of 55
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Time for Asean films to shine
Life, Kong Rithdee, Published on 08/12/2021
» The pandemic notwithstanding, it has been a stimulating year for Southeast Asian cinema. Reflective, heartfelt and oddball new titles from Indonesia, Cambodia, Malaysia, Singapore and Thailand have won major prizes or become critical favourites at international film festivals throughout 2021. Now, many of these films are coming to the big screen in Thailand as the Bangkok Asean Film Festival 2021 (BAFF) is set to open tonight.
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Spirit of the mountain
Life, Kong Rithdee, Published on 30/11/2018
» The rugged village of Gatlang in Nepal is the subject of a documentary film showing at select Major Cineplexes this weekend. Director Pen-ek Ratanaruang and Passakorn Pramunwong seemed to have picked an unexpected topic for their new non-fiction work (after their collaboration in the political history doc Paradoxocrazy in 2013), and Gatlang turns out to be a soothing journey, part diary of a post-earthquake rebuilding and part portrait of the people in a remote corner of the world.
Knives are out in death penalty row
News, Kong Rithdee, Published on 23/06/2018
» To execute or not to execute, the question weighed on Thai society in the past week with the force of righteous anger. It is a tough question, one that lays bare the complex intersection of morality, law, religion, belief, value, and even the position of the country on the spectrum along which the international norm is moving.
Edward Yang classic headlines Taiwan Film Festival In Bangkok
Life, Kong Rithdee, Published on 11/01/2018
» Eight films will be shown at the Taiwan Film Festival In Bangkok 2018, which runs from Jan 17-23 at Quartier Cineart, EmQuartier. Besides a selection of new films, cinema lovers will certainly jam the screening of the 1991 film A Brighter Summer Day, a classic from the late Edward Yang and definitely one of the best Chinese-language films ever made.
Cinema paradiso no more
Life, Kong Rithdee, Published on 18/08/2017
» Everything changes. It changes in its own time.Cells die. Cells grow. Death and birth happen all the time.Like the mind, it's gone before you even know. Like when I project a movie, a reel of film rotating at high speed looks like a still image.
Southern discomfort, by those who live it
Life, Kong Rithdee, Published on 04/08/2017
» 'I'm not really a photographer. In fact I hated photography," said photographer Mumadsoray Deng from Pattani.
On the road, with the elephant
Life, Kong Rithdee, Published on 29/06/2017
» Like all roads, this one promises redemption. Like most journeys, the destination is often where one starts off. Pop Aye, a road movie about a man and his elephant on a long trip to the Northeast, is a story of middle-class disillusionment (that's what the middle-class exists for) and the siren call of the rural -- the ambiguous call ringing in the ear of those who feel betrayed by the city.
Lao cinema hits the jackpot
Life, Kong Rithdee, Published on 19/05/2017
» In this Lao film, a nearly-blind woman is visited by ghosts that come to tell her winning lottery numbers. Her young caretaker, a girl from the countryside, takes advantage of her mistress' impairment and cashes in on the phantoms' fortunetelling, scoring win after win. On paper, it all sounds preposterous. Ghosts that give out lotto jackpots? How superstitious! How Southeast Asia! But don't be mistaken: you should go and watch Nong Hak (Dearest Sister), a well-made Lao production that spins the supernatural premise into class critique and psychological horror, ripe with atmospheric suspense. In fact, this is simply a better film in terms of script and technical standards than many Thai flicks released each year.