Showing 1 - 10 of 56
The afterlife of Mitr Chaibancha
Life, Kong Rithdee, Published on 06/10/2023
» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
Asean on screen
Life, Kong Rithdee, Published on 02/09/2020
» Ahead of the BAFF featuring Southeast Asian movies plus Chinese and Japanese titles, Life spoke with two filmmakers about their work
View from the Far South
Life, Kong Rithdee, Published on 06/12/2019
» Young men lie face-down on the floor, their hands tied at the back. Uniformed officers punch and kick them. "Squeeze in!" they shout at the men on the ground. More kicks, more punches.
Rhapsody in black and white
Life, Kong Rithdee, Published on 13/12/2018
» This is plain simple: Roma must be seen on the big screen.
Ode of remembrance
Life, Kong Rithdee, Published on 09/11/2018
» This Sunday, Europe marks the centenary of the armistice that ended World War I. On Saturday, Alliance Francaise Bangkok commemorates the occasion by playing host to the event "Master Of Their Own Destiny: Asians In The First World War And Its Aftermath".
Old boyz n the Charoen Krung hood
News, Kong Rithdee, Published on 04/08/2018
» The boys once ruled Charoen Krung Road -- the boyz from the hood, sons of Chinese merchants and Muslim roti-makers, rough-around-the-edges teen bred and drilled in the network of sois, who leapt into the Chao Phraya every evening and caught catfish when the river swelled every November, who roamed Bang Rak market when it was still sludgy with vegetable scraps and sneaked into the Prince Rama Theatre when it was still showing, err, adult movies.
When literature becomes light
Life, Kong Rithdee, Published on 23/07/2018
» Haruki Murakami's books exert a strange pull that's earned him a devoted following around the world -- and Thailand is no exception. One foot planted in the reality of the modern world, the other trudging through a surreal dreamland as the ground beneath his characters' feet keeps shifting, Murakami entrances and confuses, lulls and hallucinates. His novels and short stories also occupy that exclusive territory in the literary world: he's a best-selling author who's also every bookmaker's favourite to win the Nobel Prize. He's also one of a few post-war Japanese writers whose style and substance transcend cultural and national boundaries.
Lights out at Lido, but can art hub shine?
News, Kong Rithdee, Published on 02/06/2018
» It was a tearful farewell at the Lido Theatre on Thursday night, with a thousand fans congregating to say goodbye to the old-school, unglamorous, 50-year-old cinema in Siam Square. After the last picture show on May 31, all Lido’s staff and managers lined up like a guard of honour to wai and thank the audiences filing out of the rooms, a surprise parting shot that tugged deeply at the heart strings of even the most unsentimental viewers. To paraphrase Chris Hemsworth, aka Thor of Asgard, Lido is not a place but a people. It’s also a memory. That’s why we wept. That’s what we’ll miss Lido for.