Showing 1 - 10 of 66
Coppola's Megalopolis leaves Cannes scratching its head
Life, Kong Rithdee, Published on 20/05/2024
» Every year the Cannes Film Festival has its hottest gig -- a film so breathlessly anticipated and a justification of the festival's raison d'être. This year, that honour belongs to Megalopolis. Or, to be completely faithful according to the plaque flashed up on the screen, Francis Ford Coppola's Megalopolis: A Fable.
Cannes asks: Cinema anyone?
Life, Kong Rithdee, Published on 17/05/2024
» To remind us that we're here because of cinema, the 77th Cannes Film Festival did an uncanny double bill on its first day. The festival opened on Tuesday and will run until May 25. On the first afternoon, before the ritzy kerfuffle of the opening red carpet, Cannes screened the first part of the restored 1927 silent film Napoleon, an audacious epic of the French Revolution by Abel Gance, who 97 years ago tested the limits of what cinema could do with exhilarating results (the entire film runs for seven hours; we were treated to the first four here).
Cannes 2024 highlights
Life, Kong Rithdee, Published on 14/05/2024
» From Francis Ford Coppola's new epic to a Taiwanese drama starring a Thai actor and a Pol Pot drama, we pick hot titles from the French film festival that kicks off today.
2023 ROUNDUP A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
Marina's soul searching in Bangkok
Life, Kong Rithdee, Published on 13/10/2023
» Like Dante guided by Virgil, Marina Abramovic drifts through the purgatory that is Bangkok chaperoned by the little monkey prince. After praying at shrines and temples of assorted spiritual inclinations, she is taken to the Monkey King (Pichet Klunchun), whose rhymed, melodic prophecy finally guides Abramovic to the prayer hall of Wat Pho where her salvation awaits clad in a saffron robe.
The afterlife of Mitr Chaibancha
Life, Kong Rithdee, Published on 06/10/2023
» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Asian talents score big at Cannes
Life, Kong Rithdee, Published on 31/05/2023
» From Japan to Malaysia by way of Vietnam, Asian filmmakers of disparate sensibilities triumphed at the recently-wrapped 76th Cannes Film Festival. The Palme d'Or may have gone to French filmmaker Justine Triet from her tense drama Anatomy Of A Fall, but six other awards handed out by the world's most influential film festival went to filmmakers from Asia, an unprecedented slate of recognition.
Hear her roar
Life, Kong Rithdee, Published on 26/05/2023
» The image of a girl taking off her hijab is wrought with cinematic symbolism. Kamila Andini shows it in her Indonesian film Yuni (2021); Hesome Chemamah in his Thai short I'm Not Your F*cking Stereotype (2019); Ana Lily Amirpour in the Iranian vampire film A Girl Walks Home Alone At Night (2014). Subversion? Provocation? Liberation? At this year's Cannes Film Festival, we see that image in Amanda Nell Eu's Tiger Stripes, a work as playful as it is potent in its portrayal of adolescence and what it entails for a young woman's body.
Harry shows Bangkok some Styles
Life, Kong Rithdee, Published on 14/03/2023
» The accessory du jour was the fluffy pink boa. The colour scheme was hot pink -- pink pants, pink boots, pink cowboy hats, pink eyeshadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-hue aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!