Showing 81-90 of 712 results
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A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
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Outstanding films of 2018
Life, Kong Rithdee, Published on 28/12/2018
» From the spiritual to the scary, many genres had quality offerings.
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Cinema Politico
Life, Kong Rithdee, Published on 14/12/2018
» The premiere of the social-commentary film Ten Years Thailand on Tuesday night saw a number of political celebrities in the vaulted foyer of the Scala, brushing elbows with journalists, film professionals and gawking onlookers. Sulak Sivaraksa was there, as well as historian Charnvit Kasetsiri, Thongthong Chandrangsu and several political-science scholars. Big names from political parties showed up: Thanathorn Juangroongruangkit from Future Forward, Parit Ratanakulserirengrit from the Democrats, Chatchat Sitthiphun and Wattana Muangsuk from Pheu Thai, Sombat Boon-ngamanong from Krian Party. Invitations had been sent out to all parties, according to the film producers, but no one from Palang Pracharat and Bhumjaithai attended the screening.
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Rhapsody in black and white
Life, Kong Rithdee, Published on 13/12/2018
» This is plain simple: Roma must be seen on the big screen.
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Spirit of the mountain
Life, Kong Rithdee, Published on 30/11/2018
» The rugged village of Gatlang in Nepal is the subject of a documentary film showing at select Major Cineplexes this weekend. Director Pen-ek Ratanaruang and Passakorn Pramunwong seemed to have picked an unexpected topic for their new non-fiction work (after their collaboration in the political history doc Paradoxocrazy in 2013), and Gatlang turns out to be a soothing journey, part diary of a post-earthquake rebuilding and part portrait of the people in a remote corner of the world.
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Ode of remembrance
Life, Kong Rithdee, Published on 09/11/2018
» This Sunday, Europe marks the centenary of the armistice that ended World War I. On Saturday, Alliance Francaise Bangkok commemorates the occasion by playing host to the event "Master Of Their Own Destiny: Asians In The First World War And Its Aftermath".
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In the dark places
Life, Kong Rithdee, Published on 09/11/2018
» It rains incessantly in Zhang Yimou's Shadow, a monochromatic palace-intrigue-and-martial-arts high rhapsody set in a perpetual monsoon. Everything is grey, brown, black and white, a solemn palette befitting a solemn story interspersed with a blur of sword-fighting where warriors wield blades and umbrellas as if they were painting calligraphy.
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Film lab open house and fair
Life, Kong Rithdee, Published on 02/11/2018
» From tomorrow until Nov 6, the Southeast Asia Fiction Film Lab (Seafic) will host an open house at the Goethe-Institut Thailand and Alliance Française Bangkok. Seafic is the pioneering non-profit filmmakers' lab for Southeast Asian directors and producers, and has gained more momentum as a launch pad for new film projects from upcoming directors in the region.
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Bismillah, Freddie will not let us go
Life, Kong Rithdee, Published on 02/11/2018
» Freddie Mercury, played with an earnest commitment bordering on fetishism by Rami Malek in the biographical film Bohemian Rhapsody, is a rock star the likes of which we hadn't seen before the 1970s and haven't since: An Asian frontman of a British rock outfit, a four-octave opera lover who sang in leotards and thongs, a proud organiser of orgiastic jamborees, and a gay man who endeared himself to the hard-rock audience that, in all likelihood in those pre-diversity days, either failed to realise that their mustachioed rock-god was out-and-out queer or suppressed their suspicion so completely that they didn't feel any cognitive dissonance in their devotion to Queen. Even the name Freddie gave the band laid it all bare.
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A baroque nightmare, upgraded
Life, Kong Rithdee, Published on 02/11/2018
» The original 1977 Suspiria was a trashy bloodbath, an Italian giallo at its most lurid and disturbing -- a lair of maggots, murderers and witches. The remake, in cinemas this week, is high-trash Euro art house, more bourgeois and hipsterish -- a baroque nightmare whose danse macabre has been upgraded to fit the faces and forms of Dakota Johnson and Tilda Swinton. The new film has been directed by Italian Luca Guadagnino (Call Me By Your Name, A Bigger Splash, I Am Love) and shot by Thai cinematographer Sayombhu Mukdeeprom, whose 35mm work here is one of the film's high points.
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