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  • News & article

    Memories buried in soil

    Life, Kong Rithdee, Published on 19/07/2019

    » Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.

  • News & article

    In the realm of Manta Ray

    Life, Kong Rithdee, Published on 12/07/2019

    » There's a shot of a manta ray in Manta Ray, and one is invited to read into the symbolism of the gliding creature whose journey transcends man-made boundaries. Kraben Rahu (Manta Ray) is the most anticipated Thai film of the year, and after almost a full year of travelling the film festivals of the world, like the majestic fish itself across the ocean, it has come ashore in select Thai cinemas this week.

  • News & article

    SEA of delights

    Life, Kong Rithdee, Published on 04/07/2019

    » The Bangkok Asean Film Festival runs until July 8 and features 30 titles. Here are our top picks.

  • News & article

    Thai film editor joins Oscars academy

    Kong Rithdee, Published on 02/07/2019

    » Thai film editor Lee Chatametikool has been made a member of the Academy of Motion Picture Arts and Science, meaning he will be eligible to vote for the Oscars.

  • News & article

    Follow the yellow brick road

    Life, Kong Rithdee, Published on 21/06/2019

    » There is a newly-invented subgenre of the rock biopic: the queer, British, 1970s-set rock biopic, preferably with family trauma and cruel (or at least unsympathetic) parents. First was Bohemian Rhapsody, the shoddy Freddie Mercury flick, whose status as an Oscar-nominated title still befuddles. Now comes Rocketman, in which Taron Egerton preens and struts in Elton John's greatest hits of wardrobe flamboyance, even at his AA session.

  • News & article

    A night of surprises, some splendid

    Life, Kong Rithdee, Published on 28/05/2019

    » The odds weren't in Asia's favour, since there were only two films from the continent in competition. But South Korea did it, just like Japan had last year. Bong Joon-ho's Parasite won the Palme d'Or at the 72nd Cannes Film Festival, making it the second year in a row that an Asian film has won world cinema's most coveted prize, after last year's victory of Hirokazu Kore-eda's Shoplifters.

  • News & article

    Women in motion

    Life, Kong Rithdee, Published on 24/05/2019

    » In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.

  • News & article

    Looking for redemption

    Life, Kong Rithdee, Published on 23/05/2019

    » Young Ahmed believes he's a true Muslim, one of the few in his Muslim neighbourhood in Belgium. He refuses to shake hands with women, quotes verses from the Koran, berates his mother when she drinks, and condemns Jews and pretty much everyone else as infidels. Fellow Belgian-Muslims who do not subscribe to his imam's rigid interpretation of Islam are branded heretics unworthy of uttering the prophet's name. Young Ahmed, 13, is packed tight on the assembly line of Islamic radicalisation, fired up by a sense of self-righteousness so extreme and narrow that we wonder if it leaves room for something else in him, like love, forgiveness or humanity.

  • News & article

    An imperfect world

    Life, Kong Rithdee, Published on 21/05/2019

    » Even on the ground at the Cannes Film Festival, what people seemed to be anticipating most on Monday was, well, the final episode of Game Of Thrones. No, it wasn't being shown at the festival (how unbecoming that would be), but isn't it a sign of our times that a TV episode has the Valyrian-steel nerve to dominate global discussion and upstage the world's biggest film showcase?

  • News & article

    Les Miserables: The simmering rage of Paris

    Life, Kong Rithdee, Published on 17/05/2019

    » Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.

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