Showing 31-40 of 63 results
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Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
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Celine Dion floats Bangkok's boat
Life, Kong Rithdee, Published on 25/07/2018
» That "sinking boat" song -- that's how Celine "My Heart Will Go On" Dion, joking with the casual humour of a seasoned Las Vegas residency entertainer, refers to her most played, most loved, most karaoke-d, and perhaps most clichéd number. How many times have you heard it? Hundreds, if not more, intentionally or accidentally. And yet, apparently, there's nothing compared to hearing it live, 21 years after that big boat sank in Titanic, belted out at top octave and lung power by Dion herself, as she did to the roaring crowd at Impact Arena on Monday night in her first-ever concert in Bangkok.
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In the realm of Manta Ray
Life, Kong Rithdee, Published on 12/07/2019
» There's a shot of a manta ray in Manta Ray, and one is invited to read into the symbolism of the gliding creature whose journey transcends man-made boundaries. Kraben Rahu (Manta Ray) is the most anticipated Thai film of the year, and after almost a full year of travelling the film festivals of the world, like the majestic fish itself across the ocean, it has come ashore in select Thai cinemas this week.
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Who is our Oscars Favourite?
B Magazine, Kong Rithdee, Published on 24/02/2019
» The most important of all unimportant things, the Oscars arrive on Monday morning, Thailand time. In a year that seems more muted than usual, Hollywood's biggest jamboree has striven to stay relevant with the inclusion of blockbuster titles such as Black Panther and Bohemian Rhapsody, besides the more edgy and less popular films that have claimed much of the headlines, such as Roma and Green Book. While there are many cinematic awards around the world, the Oscars still seem to matter the most, and the ritual of predicting the winners is at once a frivolous parlour game and an annual survey of the vital signs of mainstream cinema. Don't bet on it, but we offer our takes here.
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Ghosts of various stripes
Life, Kong Rithdee, Published on 14/09/2018
» Refugees, human-trafficking and a ravenous ghoul show the real and fantastical facets of Thailand in the movies showing this week at the Toronto International Film Festival.
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A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
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A nation of millions can't hold them back
News, Kong Rithdee, Published on 29/10/2018
» Rhymes and misdemeanours. Yo, yo. Rappers are threatened to be thrown in a slammer.
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Rhapsody in black and white
Life, Kong Rithdee, Published on 13/12/2018
» This is plain simple: Roma must be seen on the big screen.
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Edgy art in the Northeast
Life, Kong Rithdee, Published on 17/10/2018
» It began on Oct 6, but it's not too late to check out the edgy art festival Khonkaen Manifesto, taking place at various sites around the northeastern province until Oct 26.
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Bismillah, Freddie will not let us go
Life, Kong Rithdee, Published on 02/11/2018
» Freddie Mercury, played with an earnest commitment bordering on fetishism by Rami Malek in the biographical film Bohemian Rhapsody, is a rock star the likes of which we hadn't seen before the 1970s and haven't since: An Asian frontman of a British rock outfit, a four-octave opera lover who sang in leotards and thongs, a proud organiser of orgiastic jamborees, and a gay man who endeared himself to the hard-rock audience that, in all likelihood in those pre-diversity days, either failed to realise that their mustachioed rock-god was out-and-out queer or suppressed their suspicion so completely that they didn't feel any cognitive dissonance in their devotion to Queen. Even the name Freddie gave the band laid it all bare.
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