Showing 21-30 of 63 results
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Corona and the death of cinema (again)
Life, Kong Rithdee, Published on 30/03/2020
» "Cinema is an invention without a future," said Louis Lumiere who, along with his brother Auguste, invented the Cinematographe in 1895. From its birth, cinema was convinced of its own death. From the very beginning, cinema predicted its own eventual demise. And that was before the two world wars, the advent of home video, laser disc, DVDs, Blu-rays, terrorism, mass shootings, Netflix, and now the coronavirus, the latest scourge that has sealed shut cinema houses around the world.
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Eyes wide open
Life, Kong Rithdee, Published on 08/05/2020
» The literature about modern Thai politics is not abundant, and by this I mean a narrative that grounds its characters in the double-whammy of coup d'etat and street protest that characterised the mid-2000s to mid-2010s. The period, plus a few years earlier when Thaksin Shinawatra rose to power, contains some of the most convulsive and era-defining moments that continue to shape the visible and invisible dimensions of Thai society in the present time, and it's astonishing that not more writers find it a rich wellspring of artistic expression (on the contrary, visual artists and theatre artists seem more responsive to the political currents of the same period).
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Uncle Boonmee at 10
Life, Kong Rithdee, Published on 22/05/2020
» Rumour had spread early that morning that the Thai film would win big that night. How big? We daren't dream. The runner-up prize maybe? The Cannes grapevine, in those embryonic days of Facebook and Twitter, was fairly dependable but not downright on the money. It gives you the shape but never the details. The Thai film "will definitely win something", said one of my supposedly well-connected friends, accompanied by a speculative wink.
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Climbing the one-inch barrier
Life, Kong Rithdee, Published on 10/02/2020
» Hollywood gasped with embarrassment and sudden realisation when Bong Joon-ho, the director of Parasite, said in his acceptance speech at the Golden Globes: "Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to many more amazing films."
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Outstanding films of 2018
Life, Kong Rithdee, Published on 28/12/2018
» From the spiritual to the scary, many genres had quality offerings.
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Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
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Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
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Quentin's Hollywood, circa 1969
Life, Kong Rithdee, Published on 13/09/2019
» Not everything ended in the year 1969. Not every sunshiny starlet died gruesomely in her own Cielo Drive villa at the hands of crazed hippies. And not every potbellied actor, fading cowboy and washed-up stunt double bit the Hollywood dust kicked up by the changing of the guard and the closing of that heady decade. Not, at least, in Quentin Tarantino's affectionate, good-humoured, and surprisingly elegiac film about Hollywood and its oddball residents.
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Psycho-killers, interviewed
Life, Kong Rithdee, Published on 23/08/2019
» The series didn't drop with as much ballyhoo as most Netflix new releases; instead it creepy-crawled into the algorithm of fans with chilly stealth last Friday. Mindhunter Season 2, created by Joe Penhall with several episodes directed by David Fincher, is a cerebral remedy to Netflix's glut of story-driven series and formulaic cliffhangers. Mindhunter takes almost a geeky pride in its dialogue-heavy exploration of the most vicious minds in the anthology of American true crime, the procession of ultra-violent serial murderers, pathological rapists and sadistic torturers, and in the way it isn't fixated on solving any particular cases (as is expected from a detective show) but taking time to study the methodological eccentricity of each crime and the increasingly dark obsession of the detectives, sucked ever more inextricably into the transgressive vortex.
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Humanity over bureaucracy
Life, Kong Rithdee, Published on 22/11/2019
» Do we need a feature film about the Tham Luang Cave rescue? We already know the characters, the set-up, the conflict, the ending: The 12 youngsters and their coach were saved, transported out unconscious from the flooded grottos in Chiang Rai by a team of elite divers, against the odds of natural or man-made calamities. Miracles, as the world acknowledges, have already been performed. Tears have been shed and a tragedy -- the death of a Thai Navy Seal -- has been mourned.
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