Showing 31-40 of 61 results
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Dancing on urban landscapes
Life, Amitha Amranand, Published on 25/06/2015
» The city and its rhythms inspired two upcoming dancer-choreographers in "Urban Templates", a double bill of contemporary dance programmes that was staged at Creative Industries last weekend.
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Stunning visuals with a Thai-French flavour
Life, Amitha Amranand, Published on 25/06/2015
» The final La Fete, a French-Thai cultural festival, drew to a close last Saturday. For years, the festival provided the city its staple of wonder-filled and visually inventive dance and new-circus performances from France. It also occasionally supported experimental works by local artists.
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What it is to be human
Life, Amitha Amranand, Published on 27/08/2015
» For some of us, many of us even, a future in which we exist alongside robots so advanced they seem to have a mind of their own and bear a cunning resemblance to humans is a scenario that resides only in the realm of the imagination -- a stuff of entertainment, an overexploited narrative.
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The art of economics
Life, Amitha Amranand, Published on 30/06/2016
» Once again, French director and playwright Pascal Rambert showered the Bangkok audience with words and languages. In his second play in Bangkok, A (Micro) History Of World Economics, Danced, Rambert brought together his own words and the cast's, language of economic theories, the arts and the everyday in Thai, French and English, in movements and in music.
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Dragon's Heart returns
Life, Amitha Amranand, Published on 26/08/2016
» Musicals about the lives of Thai defenders of democracy and human rights have come to define director and playwright Pradit Prasartthong's body of work since he founded the Anatta Theatre Troupe in 2012. He's imagined the intimate and personal moments of the late writer Sriburapa, first lady Poonsuk Banomyong and former rector of Thammasat University and Free Thai Movement member Puey Ungphakorn.
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Impersonal charisma
Life, Amitha Amranand, Published on 16/09/2016
» Performer and director Ladda Kongdach of Crescent Moon Theatre has quietly impressed Bangkok theatregoers for a few years with her focused, subtle performances, often in supporting roles and sometimes playing several roles in the same production. In her latest work, Parallel [Between The Lines], her second solo show (and first full-length), the artist takes us into her parallel universe to explore the notion of self and another self.
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Interpreting the Oct 6 atrocity
Life, Amitha Amranand, Published on 22/09/2016
» Theatre artists continue their commemorations of the upcoming 40th anniversary of the Oct 6, 1976, Thammasat University massacre. Last week, B-Floor Theatre director Teerawat Mulvilai rolled out Fundamental, another powerful dance theatre production that brings the shocking images captured by Neal Ulevich to life and into the present.
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Raging bull of a festival
Life, Amitha Amranand, Published on 20/10/2016
» From Sept 26–30, I had the opportunity to attend the 50th Belgrade International Theatre Festival (BITEF). This year, the festival was held in conjunction with the 28th Congress of the International Association of Theatre Critics, a biannual event that gathers scholarly and journalistic theatre critics from around the world.
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Redressing history
Life, Amitha Amranand, Published on 24/11/2016
» Two new plays have examined the notion of 'justice'. One digs into the political history of Chile and Thailand, the other takes us inside an American jury room
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Self-reflective play examines universal truths
Life, Amitha Amranand, Published on 30/03/2017
» Sineenadh Keitprapai and Thanaphon Accawatanyu, two generations of theatre artists, share stories of their dreams, homes and growing up and older in a touching, if not entirely satisfying, collaborative performance, Young Yao (Immature: Adult And Childish Sometimes).
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