Showing 1-10 of 12 results
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Gruesome torture relived with both barrels
Life, Amitha Amranand, Published on 06/11/2014
» Almost right after I watched Teerawat "Kage" Mulvilai's solo performance Satapana: Iceberg, I came across Chinese artist Liu Bolin's Hiding In The City performance/photographic series in a book entitled Liu Bolin.
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Stunning visuals with a Thai-French flavour
Life, Amitha Amranand, Published on 25/06/2015
» The final La Fete, a French-Thai cultural festival, drew to a close last Saturday. For years, the festival provided the city its staple of wonder-filled and visually inventive dance and new-circus performances from France. It also occasionally supported experimental works by local artists.
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What it is to be human
Life, Amitha Amranand, Published on 27/08/2015
» For some of us, many of us even, a future in which we exist alongside robots so advanced they seem to have a mind of their own and bear a cunning resemblance to humans is a scenario that resides only in the realm of the imagination -- a stuff of entertainment, an overexploited narrative.
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The art of economics
Life, Amitha Amranand, Published on 30/06/2016
» Once again, French director and playwright Pascal Rambert showered the Bangkok audience with words and languages. In his second play in Bangkok, A (Micro) History Of World Economics, Danced, Rambert brought together his own words and the cast's, language of economic theories, the arts and the everyday in Thai, French and English, in movements and in music.
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Dragon's Heart returns
Life, Amitha Amranand, Published on 26/08/2016
» Musicals about the lives of Thai defenders of democracy and human rights have come to define director and playwright Pradit Prasartthong's body of work since he founded the Anatta Theatre Troupe in 2012. He's imagined the intimate and personal moments of the late writer Sriburapa, first lady Poonsuk Banomyong and former rector of Thammasat University and Free Thai Movement member Puey Ungphakorn.
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Radical Beauty
Life, Amitha Amranand, Published on 08/06/2017
» Prumsodun Ok has broken many rules. The Khmer-American artist studied classical Cambodian dance -- an art dominated by women. He then founded the first gay dance company in Cambodia, Prumsodun Ok & Natyarasa. He and his company perform Cambodian dance in costumes designed to expose more skin than the traditional ones. They also dance male and female parts.
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The joyful, melancholic plastic dance
Life, Amitha Amranand, Published on 15/06/2017
» Without much direct contact with the human hands, French multidisciplinary performing-arts company Non Nova breathes life into plastic bags. And slowly, a ballet emerges.
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Touch, move, interact, open up
Life, Amitha Amranand, Published on 20/07/2017
» Even when they're about violence, Dujdao Vadhanapakorn's shows always feel inviting. Perhaps it's because of her therapy background (Dujdao is Thailand's first dance movement psychotherapist) that she likes to create the kind of space -- physical and emotional -- that invites you to touch, move, interact or open up.
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Gender identity, animals and Kafka
Life, Amitha Amranand, Published on 02/11/2017
» Every two years, Jitti Chompee puts on his festival director's hat. The dancer-choreographer and founder of 18 Monkeys Dance Theatre founded Unfolding Kafka Festival in 2015. In its first year, the festival featured four performances, one installation and a workshop. This year, the performing arts portion of the festival has doubled in number.
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Shows for all seasons
Life, Amitha Amranand, Published on 15/03/2018
» March kicked off with the return of French choreographer Jérôme Bel to Bangkok, bringing with him two productions to close the French Highlights #3. Then English-speaking theatre company Peel the Limelight celebrated International Women's Day with the premiere of their latest production of Agnes Of God in their new and larger venue, Peel the Limelight Studio, just across from their old home, Spark Drama Studio, at Jasmine City building in Asok. And Bangkok-based Japanese theatre artist Shogo Tanikawa founded his own theatre company Scene Zero and gave birth to a new play. Here are our reviews of these performances.
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