Showing 11-15 of 15 results
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Windows on the world
Life, Kong Rithdee, Published on 28/09/2017
» As Hussain Currimbhoy sees it, this is a golden age for documentary filmmaking, a time when the criss-crossing narratives of the world tangle with audiences' growing suspicion over traditional media. The emergence of streaming services has also revolutionised distribution philosophy and connected doc-makers with audiences in ways unseen before, especially with audiences who once had little interest in documentary titles.
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Strange brew
Life, Kong Rithdee, Published on 29/03/2018
» He went down to the crossroads, fell down on his knees, asked the Lord for mercy -- and somehow got it. In this biopic documentary, Eric Clapton -- his place in the pantheon of guitar god-dom guaranteed -- is a tragic genius denounced by his own mother and nurturing a desperate crush on his best friend's wife, which kept his guitar wailing and weeping. Here's a 60s-70s blues-rock maverick who sold his soul to heroin, cocaine, cognac, whatever, and when he emerged from the pit and things began to feel wonderful tonight, he lost his son in a terrible, terrible accident. That a new documentary about his life to date is allowed to end happily is proof that rock'n'roll (and life itself) can cheat the claws of fate and go on for longer than 12 bars.
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Regional favourites, new and old
Life, Kong Rithdee, Published on 15/04/2016
» The 2nd Bangkok Asean Film Festival begins on Thursday at SF World Cinema, and will travel to Khon Kaen, Surat Thani and Chiang Mai later.
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Ones to watch
Life, Kong Rithdee, Published on 01/01/2016
» Clear your schedule for Bangkok's main film event: The World Film Festival of Bangkok, which returns next week for its 13th edition, with a buffet of over 50 movies showing at SF CentralWorld from Nov 13-22.
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Evocative hymn to Thai rice
Life, Kong Rithdee, Published on 23/01/2015
» This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.
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