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  • News & article

    Evocative hymn to Thai rice

    Life, Kong Rithdee, Published on 23/01/2015

    » This is the film you simply have to see this weekend. Uruphong Raksasad's Pleng Khong Kao (The Songs Of Rice) is a lyrical poetry of image and sound, as beautiful as 19th-century pastoral paintings and as evocative as murmured hymns. In a compact 75 minutes, we see muddied beasts stomping the paddies and whirring tractors aglow with nocturnal eyes; we hear the chanting for the Rice Goddess and rhythmic windpipe numbers for the harvest dance. We even marvel, unlikely as it seems, at a zonk-out sci-fi rendition of a northeastern rocket festival, ablaze with fire and sparks and songs and joy.

  • News & article

    Ones to watch

    Life, Kong Rithdee, Published on 01/01/2016

    » Clear your schedule for Bangkok's main film event: The World Film Festival of Bangkok, which returns next week for its 13th edition, with a buffet of over 50 movies showing at SF CentralWorld from Nov 13-22.

  • News & article

    Regional favourites, new and old

    Life, Kong Rithdee, Published on 15/04/2016

    » The 2nd Bangkok Asean Film Festival begins on Thursday at SF World Cinema, and will travel to Khon Kaen, Surat Thani and Chiang Mai later.

  • News & article

    Into the strange forest

    Life, Kong Rithdee, Published on 09/09/2016

    » The dirt road is dry and red, scorched by the Isan sun. The headmaster is wary, sardonic, and enervated by the heat. The students, or at least some of them, are bored and ironic ("What do you want to be when you grow up?" a teacher asks. "A bank robber," he deadpans.) Next to this poor state school is a forest, sun-dappled, mysterious and probably haunted. Girls are warned not to go in there because they may never come back out.

  • News & article

    Colourful journey into Thailand's soul

    Life, Kong Rithdee, Published on 20/01/2017

    » The train clangs ahead, moving people and dreams, as it has done since 1893. In Railway Sleepers, a minutely observed film shot entirely on-board a Thai train, we see kids on school trips, young men travelling north and south, hawkers selling food and horoscope books, families and lovers, vacationers who turn the sleeping car into a party venue. They're passengers, and they're also humans. They are, as director Sompot Chidgasornpongse says, a collection of faces that make up a portrait of Thailand.

  • News & article

    That precious gold statuette

    Life, Kong Rithdee, Published on 24/02/2017

    » The Oscars takes place Monday morning Thailand time. We pontificate and prognosticate the results

  • News & article

    A new vision on Siam's enduring symbol

    Life, Kong Rithdee, Published on 26/04/2017

    » The elephant and the man, walking down the road to redemption and encountering the wounded and the marginalised, the madmen and the prostitutes. In the film Pop Aye, which will kick off Bangkok Asean Film Festival 2017 this evening (see sidebar), the fine-tusked beast accompanies the lost soul as the duo find their way home from Bangkok to the Northeast.

  • News & article

    Cinema paradiso no more

    Life, Kong Rithdee, Published on 18/08/2017

    » Everything changes. It changes in its own time.Cells die. Cells grow. Death and birth happen all the time.Like the mind, it's gone before you even know. Like when I project a movie, a reel of film rotating at high speed looks like a still image.

  • News & article

    Windows on the world

    Life, Kong Rithdee, Published on 28/09/2017

    » As Hussain Currimbhoy sees it, this is a golden age for documentary filmmaking, a time when the criss-crossing narratives of the world tangle with audiences' growing suspicion over traditional media. The emergence of streaming services has also revolutionised distribution philosophy and connected doc-makers with audiences in ways unseen before, especially with audiences who once had little interest in documentary titles.

  • News & article

    For the days that remain

    Life, Kong Rithdee, Published on 17/11/2017

    » Challenging taboos, one of Thailand's most popular directors returns with a film that looks death in the eye

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