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Apichatpong's memory of the world
Life, Kong Rithdee, Published on 30/06/2021
» It begins with a bang. Maybe the Big Bang, a culmination of cosmic murmur and subterranean hum that explodes like a burst of revelation, a sonic release of the weight of all human pain. In Apichatpong Weerasethakul's new film Memoria, a woman wakes up one morning in Bogota jolted by a mysterious sound -- a metallic, visceral, bottom-of-the-well bang. The woman, orchid farm owner Jessica (played by Tilda Swinton), wanders the Colombian capital in a daze, haunted by the unshakable aural echo, then leaves the city and heads to the mountains, where the phantom of the bang shadows her.
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A note on Thailand Biennale
Life, Kong Rithdee, Published on 02/01/2019
» One recent morning at Nopphrat Thara beach, the high tide flooded the lower part of a strange, interwoven structure. Rising from the blue water of the bay, it looked like an island, a new, unmapped island of Krabi visible from this popular spot where tourists visit and board tour boats to outlying islands.
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A wind from the Northeast
Life, Kong Rithdee, Published on 24/03/2017
» Last month the cinemas saw a sleeper hit -- and don't be surprised if your cultural radar didn't beep. The homemade Isan film Thi Baan The Series attracted huge crowds not to Bangkok cineplexes, or not at first, but to theatres in Si Sa Ket, Khon Kaen, Maha Sarakham and elsewhere across the Northeast. Scoring big with regional tastes, the small, Isan-speaking film, made by a group of friends for 3 million baht, has now made over 20 million in box office -- 70% of it on its home turf, the rest in the capital.
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Cannes, mon amour
Life, Kong Rithdee, Published on 04/01/2015
» Love and other nightmares filled the first half of the 65th Cannes Film Festival. There's post-Revolution love from Egypt, and the love that finds its final destiny, as love should, in death. There are the usual sidekicks of love, such as loneliness and the desire to be recognised, in the heart and in the flesh, in one's own territory and in others. It's both helpful and futile to try to find a common theme in the competition titles at the most frenzied and influential movie festival on Earth, but please allow me to indulge in the activity as a cure to the unusually wet weather that has rendered the mood rather gloomy in this war zone of film criticism.
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