Showing 1-8 of 8 results
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Beaming a light on human absurdity
Life, Amitha Amranand, Published on 10/08/2017
» The latest adaptation effort by playwright-director Parnrut Kritchanchai revolves around the Moon, or rather, around five lonesome souls one Full-Moon night. It is also Parnrut's continued exploration of the melodrama genre in all its manifestations.
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Funeral books shed light on People's Party
News, Suthachai Yimprasert, Published on 24/06/2017
» The 1932 memorial plaque incident is a key political event that we will be commemorating in what is a markedly different atmosphere relative to years past.
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The power of love
Life, Kanin Srimaneekulroj, Published on 24/05/2016
» Love -- as many of us are perhaps too painfully aware -- can sometimes be as bitter as it can be sweet. Like the age old adage tells us, "where there is love, there is suffering"; and yet, love seems to be one of those things that is universally coveted by mankind, as if we expect this ethereal concept of expectations and desire to be the answer to all the world's woes. But what happens when love seems to be the source of those woes? Is it still worth it to hold on to love, even if we are slowly damning ourselves to a lifetime of suffering?
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Art under stress
Life, Published on 02/12/2015
» Life's critics take a look at how artists in different fields reflected upon Thailand's political situation over the past 18 months — or why they chose not to.
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The truth behind the facade
Life, Kaona Pongpipat, Published on 15/10/2015
» At a time when freedom of expression is becoming increasingly constrained, whether one is just an internet user, a filmmaker or an activist, experimental theatre troupe B-Floor is as relentless as ever. After Ornanong Thaisriwong's solo performance Bang La Merd earlier this year was attended by military officers, B-Floor is back under the directorial helm of Teerawat Mulvilai in Manoland.
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Lessons from the trenches
Life, Kaona Pongpipat, Published on 16/07/2015
» Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.
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By lens, stage and paint, truth
Life, Published on 10/12/2014
» In 2009, Tanwarin Sukkhapisit made I'm Fine Sabai Dee Ka, a three-minute satirical film/performance art piece in which she locks herself in a cage placed in front of the Democracy Monument. Passers-by (both actors and unsuspecting pedestrians) take photographs and stop to ask her what happened. She smiles and repeats the same answer: "I'm fine in here." Tanwarin, who once served as the president of the Thai Film Director Association, is a prolific filmmaker who has made independent and mainstream films. In 2010, her low-budget production, Insects In The Backyard, made headlines when it became the first film to be banned under the 2006 Film Act (censors said the film depicted inappropriate images of student prostitutes and a penis).
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Motorcycle taxi driver, citizen journalist
Published on 16/02/2012
» The first to post photos of Tuesday’s bombing on Sukhumvit Soi 71, motorcycle taxi driver, Dejchat Puangket, is now something of a celebrity.
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