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  • News & article

    Asean Film Festival is finally here

    Life, Kong Rithdee, Published on 28/03/2024

    » Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.

  • News & article

    Will gentrification respect city's people?

    Oped, Kong Rithdee, Published on 28/06/2023

    » We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.

  • News & article

    The passion of Pasolini

    Life, Kong Rithdee, Published on 10/06/2022

    » Pier Paolo Pasolini was born in Bologna on March 5, 1922, and died in a violent, mysterious circumstance on the outskirts of Rome in November 1975. This year marks the centenary of the Italian poet's and filmmaker's birth, and this Sunday at 1pm, the Thai Film Archive will screen Pasolini's first film as director, Accattone, a gloriously austere ode to underclass plight. It will be the first time the 1961 film is screened in Thailand.

  • News & article

    Montien Boonma, gone but never forgotten

    Life, Kong Rithdee, Published on 23/12/2020

    » Montien Boonma's death in 2000, at the age of 47, was perhaps the saddest episode ever felt by the Thai contemporary art circle.

  • News & article

    The Year of Great Reckoning

    Life, Kong Rithdee, Published on 16/12/2020

    » For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.

  • News & article

    Beyond borders

    Life, Kong Rithdee, Published on 18/03/2020

    » The two-channel video work by Ampannee Satoh begins with specks of light and ends, naturally, with darkness. Two cameras were attached at the bow and stern of a fishing boat, purportedly the same type used by Rohingya refugees when they fled whatever was hounding them into the sea. The images they captured are wobbly, disoriented, seasick-inducing, and for 20 minutes they simulate the experience of being lost at sea in the middle of the night -- the experience of displaced people unmoored in the lightless sea.

  • News & article

    Life lessons

    Life, Kong Rithdee, Published on 13/03/2019

    » Fate clicks its fingers and an already poignant piece in Navin Rawanchaikul's "Revisited <> Departed" becomes the exhibition's most moving. It's a photograph of the artist as he guides his ageing father's fragile hand around a metre stick -- an indispensable tool of trade for any fabric-wallah -- fronted by a group of clay moulds sculpted from the imprints of his father's hand.

  • News & article

    Space oddity

    Life, Kong Rithdee, Published on 12/12/2018

    » Parking curbs, in different colours, are arranged in a pattern in a gallery, which occupies a section of a parking space. In one corner of the room are seven cardboard boxes, which contain dozens of brown, slightly dog-eared log books, handwritten by security guards and caretakers of the National Gallery, dating back to the 1990s. Dry report on daily activities fill page after page. "5pm: closed room 1-4. 5.30pm, close the office. Midnight: new shift starts. Situation normal," reads an entry from March 1998.

  • News & article

    Bridging times and cities

    Life, Kong Rithdee, Published on 06/06/2018

    » On a recent visit to Bangkok, Baron Patrick Nothomb recalled the tremors of anxiety when the Thai-Belgian bridge was about to be assembled 30 years ago.

  • News & article

    A place where indies can thrive

    Life, Kong Rithdee, Published on 08/03/2018

    » The stone latticework of Cinema Oasis gives its façade a vaguely Middle Eastern look. Up on the 2nd floor gallery that runs along the screening room, pockets of sunlight shine in through the gaps in the pattern. Looking down, you see what's left of what was once a large pond. An oasis, maybe, as the name suggests.

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