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  • LIFE

    The shape-shifting form of protests

    Life, Kaona Pongpipat, Published on 06/10/2015

    » The streets remained empty and all was quiet when thousands of people gathered last Wednesday night to protest against the government's Single Gateway proposal. Protesters weren't, however, down at major landmarks like Asoke or Ratchaprasong intersections, but simply in front of their computer screens. By merely punching the refresh button, these protesters let their resentment known to the authorities by crashing at least six government sites, including the Ministry of Information and Communications Technology.

  • LIFE

    Art in experiment

    Life, Kaona Pongpipat, Published on 27/08/2014

    » 'The Experimental Video Art Exhibition" on show at Bangkok Art & Culture Centre (BACC) is certainly not something meant to be easily comprehended. Visiting the venue, even after a second or third time, is always a puzzling and exhausting undertaking.

  • LIFE

    Constant flux

    Life, Kaona Pongpipat, Published on 14/12/2016

    » Bangkok Art and Culture Centre hasn't seen this many visitors in quite a while. Today people are everywhere in the exhibition space on the 9th floor even though it is a weekday afternoon. They have never been so involved with the artworks on display and careless as to what other visitors might think of them.

  • LIFE

    Decking the walls

    Life, Kaona Pongpipat, Published on 15/02/2017

    » Bangkok's three newest art spaces - ApArt, Future Factory and Most Gallery.

  • LIFE

    Threading her way through Islam

    Life, Kaona Pongpipat, Published on 08/09/2016

    » The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.

  • LIFE

    Exhibition weighs in on nature of art and beauty

    Life, Kaona Pongpipat, Published on 30/11/2016

    » It seems that everyone in the world but this writer had made it to the opening of Erwin Wurm's "The Philosophy Of Instructions" at Bangkok Art and Culture Centre last Friday. The heavy rain and traffic were to blame.

  • LIFE

    A quiet weekend of dance

    Life, Kaona Pongpipat, Published on 15/12/2016

    » The 11th International Butoh Festival kicked off last week with performances Sonata For An Uninhibited Body by Rosana Barra, Oju Obá -- The Eyes Of The Falling King, The Eyes Of The Rising King by Calé Miranda and Indonesian performer Tony Broer's untitled show. Awaiting Butoh fans on this second and final weekend is one of the festival's highlights: Quiet House, a collaboration piece by Japan's Takayuki Takita and Yuko Kawamoto, and Teerawat Mulvilai from B-Floor Theatre.

  • LIFE

    The voice of the northeast

    Life, Kaona Pongpipat, Published on 17/03/2015

    » By the haystack next to a rice field, Yothin Kijbai sung out in high-pitched, rhyming Isan verses that he apparently knew by heart. Dressed in a light blue costume adorned with glittering sequins, the 68-old-year is not a madman but a well-known "comedy molam".

  • OPINION

    An unlikely muse to art of endurance

    News, Kaona Pongpipat, Published on 31/03/2016

    » So what's the latest? Deputy Prime Minister Prawit Wongsuwon said the draft charter by the Meechai Ruchupan-led Constitution Drafting Committee -- yes, the one with a wholly-appointed Senate and fixed senator posts for armed forces and police chiefs -- is up for the referendum and, I quote, "No one will dare to touch it."

  • LIFE

    A rather fruity affair

    Life, Kaona Pongpipat, Published on 24/12/2015

    » The second edition of Wonderfruit, a four-day festival of arts, ended late last weekend. And now there's already a common saying: "You have to be rich to get drunk at Wonderfruit."

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