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  • News & article

    A taste of art

    Life, Amitha Amranand, Published on 25/04/2024

    » We were told from the beginning to not think of Street Food Theatre as performance art, but rather an "experience". We were also informed of the belief of the project's creator that art can take place everywhere.

  • News & article

    A harmonious blend

    Life, James Keller, Published on 26/12/2023

    » A highly energised Royal Bangkok Symphony Orchestra rounded off a hugely successful 2023 concert season mid-December with a cleverly conceived and designed programme titled "Orient Et Occident", with each performance alternating between compositions by Western and Eastern composers. By now, frequent visiting English conductor Douglas Bostock certainly knows how to inspire this orchestra to the very best of its abilities, and the opening La Princesse Jaune Overture by Camille Saint-Saëns was duly performed with a delightfully assured élan. The utterly charming faux-exoticism which the composer conjures was played with innocent, abundant joy, whilst a central lush string section showed off those particular ranks in an extremely positive light.

  • News & article

    A thrilling Thai musical

    Life, Alongkorn Parivudhiphongs, Published on 10/11/2023

    » In contrast to the lengthy Thai three-hour musicals that often extend over two acts, theatregoers in Bangkok recently enjoyed a refreshing change with Thrill Me The Musical, a one-act musical that takes on life through redolent songs.

  • News & article

    Everything is not going to be OK

    Guru, Kankanok Wichiantanon, Published on 20/11/2020

    » Circle Theatre, founded by a group of Chulalongkorn alumni, is producing a play entitled 'OK Land'. It is set in a convenience store in a fictional country called "Angel Land", which resembles Thailand. The play discusses the many situations people are experiencing during the pandemic. Guru speaks to director Paspawisa Jewpattanagul and playwright Nuttamon Pramsumran about the play.

  • News & article

    Aum wins at court, Num's bored with louts, Poj's dope oil scare

    News, Mae Moo, Published on 30/06/2019

    » Actor and director Atichart ''Aum'' Chumnanont has won another 1 million baht in damages against the company which he took to court almost three years ago after it accused him of running a soap opera badly and doctoring the accounts.

  • News & article

    A creative accounting

    Life, Thana Boonlert, Published on 13/02/2023

    » Sophie, a young pianist, dreams of performing at a concert hall. When she gets an invitation letter, she feels overjoyed and begins to prepare for a debut, though with a sense of foreboding. On concert day, the sound of music comes from nowhere. She finds that it is created by the ghosts of past performers, yet continues to play her instrument. Her performance brings the ghosts peace, and they gradually disappear. As time goes by, Sophie becomes a successful pianist, but she never forgets the event.

  • News & article

    Nutcracker to be staged in BKK

    Life, Published on 20/02/2023

    » Rising Star Dance Studio, one of Bangkok's leading centres for ballet, is staging The Nutcracker Ballet at M Theatre, New Phetchaburi Road, on March 5 at 3pm.

  • News & article

    Contemporary mission

    Life, Published on 10/04/2018

    » A few months prior to its 10th anniversary, the Bangkok Art and Culture Centre (BACC) made a major announcement: a new director. As of March 1, Pawit Mahasarinand has taken the helm of the city's main art venue and the largest public-funded art centre in the country, a surprising choice to many, though an entirely welcoming one.

  • News & article

    New documentary film shows how art can help children's well-being

    Life, Thana Boonlert, Published on 04/08/2022

    » Rong Rean Nai Phu Khao (School On The Mountain) is a new documentary that shows how art can improve the well-being of children.

  • News & article

    The politics of love

    Life, Kaona Pongpipat, Published on 08/09/2016

    » Thanapol Virulhakul, critically-acclaimed stage director and choreographer, has a way of giving space a certain significance. His take is usually minimalistic, the stage bare and his actors assigned with limited set of movements, and it is the relentless repetition of those elements that would slowly make up the storyline and become part of the blow in the end.

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