Showing 1 - 10 of 17
Constant flux
Life, Kaona Pongpipat, Published on 14/12/2016
» Bangkok Art and Culture Centre hasn't seen this many visitors in quite a while. Today people are everywhere in the exhibition space on the 9th floor even though it is a weekday afternoon. They have never been so involved with the artworks on display and careless as to what other visitors might think of them.
Edgy film gets axe but soap rapes go on
News, Kaona Pongpipat, Published on 24/11/2016
» It is with a frustratingly slow pace that Motel Mist, SEA Write Award-winner Prabda Yoon's debut feature film, starts off and it remains slow until much later on in the film.
Where time and space cease to exist
Life, Kaona Pongpipat, Published on 02/11/2016
» How do we picture the world and ourselves? That is one of the key questions asked in "An Atlas Of Mirrors", the fifth edition of Singapore Biennale, which opened last week at various venues with the Singapore Art Museum (SAM) and SAM at 8Q as the main spaces. As many as 63 artists and collectives joined and the result is a gushing forth of narratives -- collective and personal, historical and contemporary, factual and imaginary.
'A Painter from Bikaner' come to Bangkok
Life, Kaona Pongpipat, Published on 28/07/2016
» At Serindia Gallery, all is still and calm until you look closer and everything -- the landscapes, animals and plants -- suddenly comes to life. Magnifying glasses are of course provided. In the exhibition "A Painter From Bikaner", Indian traditional miniature painter Mahaveer Swami presents a selection of his exquisitely detailed works whose subjects range from the mundane daily lives in India, landscapes and animals to tales from mythology.
Chart-ing Facebook
Life, Kaona Pongpipat, Published on 16/05/2016
» It has been eight years since writer Chart Kobjitti, national artist and two-time SEA Write Award winner, published his book Lorm Wong Khui, a collection of articles written for Si San magazine. Eight years is a long time, especially for fans of various generations who literally grew up with his writing, from the cursed life of Ai-fak in 1981's Khamphiphaksa (The Judgement) that won his first SEA Write award, and the tumultuous story of life, friendship and lots of booze in 1988's Phan Ma Ba, to a miserable account of age and death in a nursing home in 1993's Wela (Time), for which he won the award once again.
Abstractions and acquaintances
Life, Kaona Pongpipat, Published on 09/03/2016
» As the title "Dusadee + Dusit + Lovers + Dead Ones" suggests, Dusadee Huntrakul's current exhibition at Chulalongkorn University's The Art Center is not exactly a solo show, but a bit of a reunion.
Blue-blood gets a taste for your blood
Life, Kaona Pongpipat, Published on 09/02/2016
» When Chulachak Chakrabongse speaks, he rarely looks your way. He could be drifting or struck by sheer boredom, but you are never offended. You're busy wondering what to make of his presence: as teen star that he once was, as a father of two, as great-great-grandson of King Rama V, as 34-year-old blues rock star "Hugo", who was with Jay-Z's Roc Nation label. Or now, in a rather unexpected turn of career path, as Count Dracula in a stage play production of Bram Stoker's classic.
Regional revolution
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
Memories stained with Rouge
Life, Kaona Pongpipat, Published on 15/10/2015
» This year marks the 40th anniversary of the beginning of the Khmer Rouge regime's four-year massacre that resulted in nearly 2 million Cambodian deaths.
Post-apocalyptic survival
Life, Kaona Pongpipat, Published on 18/09/2015
» Hitting cinemas in Thailand yesterday, Maze Runner: The Scorch Trials, a sequel to the film series by director Wes Ball based on James Dashner's young-adult science fiction trilogy, is a direct continuation from its first instalment last year, which earned over US$345.5 million (12 billion baht) at the box office worldwide.