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  • News & article

    Asean Film Festival is finally here

    Life, Kong Rithdee, Published on 28/03/2024

    » Despite the odd, unexplained double postponement -- the first when it was moved from early December 2023 to late January 2024, and then from January to March -- the Bangkok Asean Film Festival finally gets under way, from today until Sunday at SF CentralWorld. Despite the adjournment, the line-up looks decent, with the best Southeast Asian titles culled from the past year -- Tiger Stripes, Inside The Yellow Cocoon Shell, Abang Adik, Dreaming And Dying, Oasis Of Now, Nowhere Near, Morrison, Thai classics The Adventure Of Sudsakorn and The Adulterer, and a short film competition.

  • News & article

    2023 ROUNDUP A vintage year for Thai cinema?

    Life, Kong Rithdee, Published on 25/12/2023

    » There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"

  • News & article

    Will gentrification respect city's people?

    Oped, Kong Rithdee, Published on 28/06/2023

    » We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.

  • News & article

    10 films to watch out for

    Life, Kong Rithdee, Published on 16/05/2023

    » A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.

  • News & article

    Harry shows Bangkok some Styles

    Life, Kong Rithdee, Published on 14/03/2023

    » The accessory du jour was the fluffy pink boa. The colour scheme was hot pink -- pink pants, pink boots, pink cowboy hats, pink eyeshadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-hue aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!

  • News & article

    Harry takes Bangkok in Styles

    Kong Rithdee, Published on 13/03/2023

    » The accessory du jour was the fluffy pink boa. The color scheme was hot pink - pink pants, pink boots, pink cowboy hats, pink eye-shadow, pink hijabs. Or if not pink, then anything in the tooth-aching shades of the rainbow. It was a lively, joyous sight on Saturday night, a show of hot-colored aesthetics in a defiant contrast to the brutalist concrete skeleton of Rajamangala Stadium. How I wish concrete-mad Bangkok could look like this every day!

  • News & article

    If it was up to me...

    Life, Kong Rithdee, Published on 10/03/2023

    » The Oscars are once again upon us and Life goes out on a limb to pick the peaches.

  • News & article

    Pandemonium

    Life, Kong Rithdee, Published on 30/09/2022

    » The first shot of Athena will be discussed in every writing about the film. A bravura choreography of movement that begins with an intimate close-up of a face and ends, after 10 blood-rushing minutes, with an explosion of revolutionary rage -- a la Les Miserables and Do You Hear The People Sing? transported to a predominantly-Muslim Paris suburb -- that opening shot is so hypnotising and immersive in its non-stop kineticism that we're led to forgive that it's also an earnest show-off, a proud enshrinement of style and attitude over everything else. Romain Gavras, a filmmaker known for making music videos for Jay Z and M.I.A, will cement that approach with many similar shots throughout the film -- long, seemingly uninterrupted shots with parkour camerawork full of angry bodies -- more than enough for aspiring filmmakers of the world to slobber over.

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