Showing 1-10 of 39 results
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Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?
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The vagabond returns
Life, Kong Rithdee, Published on 20/01/2023
» A film once overlooked and misunderstood may have found its moment many years later, the work's peculiar vibrations finally detected and at last appreciated.
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The inciting incident
Life, Kong Rithdee, Published on 06/10/2017
» On Sept 24, 1976, two electricians were beaten and hanged to death from the top of a gate somewhere in Nakhon Pathom, victims of an escalating right-wing terror in Thai politics of that heady decade. Two weeks later, as protests against the return to the Kingdom of former dictator Gen Thanom Kittikajorn gathered steam, students at Thammasat University staged a play about the hanging of the two men. Soon the photographs of the play were used by nationalists to whip up anger and fear of communism, which led to the massacre on the morning of Oct 6 as police and militias laid siege to the university, killing, maiming and brutalising scores of people in one of the worst incidents of bloodshed in modern Thai history.
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Time is not on anybody's side
Life, Kong Rithdee, Published on 15/10/2021
» There's the anatomy -- the bone and the flesh, supple or flaccid. Then there's time, the cruellest judge of all. In Jakrawal Nilthamrong's Anatomy Of Time (the Thai title is simpler, Wela), the first sound we hear is a tick-tock metronome like the soundtrack of the cosmos as we watch an old lady gently tending to her tubed and bedbound husband. Time will be folded back. The old woman will become young and her dying husband will appear as a spirited, dashing military captain fighting communist insurgents for the good of the nation.
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Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
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Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.
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Sex, truth & politics
Life, Kong Rithdee, Published on 11/09/2017
» In Uthis Haemamool's new novel, the protagonist's erotic adventure runs parallel to Thailand's political education. A man's carnal quests and sexual outbursts become, in a way, an allegory of a larger social context as the country goes through three coups d'etat and several convulsive protests in the past 25 years. The awakening of the loin as a metaphor for political orgasm, physical penetration as an analogy for abuses of power -- <i>Rang Haeng Pratana</i> (Silhouette Of Desire) is a novel that, Uthis admits, presents him with many risks as a writer.
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A nation of millions can't hold them back
News, Kong Rithdee, Published on 29/10/2018
» Rhymes and misdemeanours. Yo, yo. Rappers are threatened to be thrown in a slammer.
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The pastoral romance returns
Life, Kong Rithdee, Published on 19/09/2018
» The star-crossed lovers coo. They ride their buffaloes through a verdant field, splash mud, evade spiteful parents, and make a vow at the shrine of the banyan tree. But their romance, like all memorable romances in books and life, is doomed by the circumstances of fate, tragic and scarred, and their destiny is one of the most heartbreaking in the canon of Siamese literature and film.
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Last light at Lido
Life, Kong Rithdee, Published on 04/05/2018
» The Lido Theatre opened on June 27, 1968, a 1,000-seat movie palace in the fast-modernising neighbourhood of Pathumwan. The first title on the marquee was Guns For San Sebastian, a cowboy film starring Anthony Quinn.
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