Showing 41 - 50 of 142
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
Image is everything
Life, Kong Rithdee, Published on 15/05/2018
» Cinema, Jean-Luc Godard said via FaceTime, is X+3 = 1. The X, of course, is -2.
Guilt and sin minus the politics
Life, Kong Rithdee, Published on 20/04/2018
» The squalor of Manila slums populated by high-school drug runners, then a chaotic precinct ruled by corrupt cops and even more corrupt chiefs -- these are the familiar turfs of Brillante Mendoza, the best-known Filipino filmmaker among international audiences.
Time is not on our side
Life, Kong Rithdee, Published on 25/01/2018
» This is a note on an important Thai film that is unlikely to be shown in Thailand. Such is the fate of home-grown cinema in a time of disease, the time of a black hole.
The many faces of France
Life, Kong Rithdee, Published on 12/01/2018
» At the simplest level Agnes Varda's and JR's Visages Villages is a documentary film about photography and art-making. Going slightly deeper, as the title suggests, it's a film about faces and places, about people and their villages -- rural communities, farmland, factories and towns in the unglamorous corners of France. And yet at its most moving, most humanist moments, this film by an 89-year-old filmmaker and a 33-year-old street artist is about the heartbreaking ephemerality of art, about mortality, memory and the transient nature of everything, above all of life itself.
Luang Prabang film fest moves forward
Life, Kong Rithdee, Published on 14/12/2017
» There was the crowd, the spontaneous chaos, and the outdoor screening that has become a hallmark of the Luang Prabang Film Festival. Its eighth edition ending last night, the film festival in a town without cinemas has grown into an annual highlight every December, with its eyes firmly fixed on Southeast Asian titles and an attempt to expand its role and relevance to regional audience and filmmakers.
Shooting star
Life, Kong Rithdee, Published on 11/12/2017
» In Europe, the angle at which sunlight hits Earth is lower than in Thailand, says Sayombhu Mukdeeprom. In Europe, he explains, the air also has less humidity, meaning the suffusion of colour in the light is more intense.
Movies shine light on dark Thai truths
News, Kong Rithdee, Published on 09/12/2017
» Last week, I watched a South Korean film called A Taxi Driver. Based on a true story, it's the account of a cabby who secretly drove a German journalist to cover the 1980 pro-democracy demonstration in Gwangju, a dramatic uprising that toppled Maj General Chun Doo-hwan, the ruler of the country at the time.
Human traffic
Life, Kong Rithdee, Published on 03/11/2017
» Edmund Yeo started writing the film Aqerat before the word "Rohingya" would make world news headlines -- entirely for a distressing reason. Now the Malaysian film, which had its premiere in the main competition of the 30th Tokyo International Film Festival this week, has proved prescient as over 500,000 of Myanmar's Rohingya minority have fled violence for Bangladesh in one of the worst humanitarian catastrophes in years.
The Genius of Thai cinema
Life, Kong Rithdee, Published on 20/10/2017
» A high-school thriller shows films from the Kingdom can be a hit on the world stage