Showing 1 - 9 of 9
Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.
Thai idols fall in line with orthodoxy
News, Kong Rithdee, Published on 01/09/2018
» Poor coup-makers, no one wants to see them on TV. At 6pm sharp when the theme song begins, there's a rush of hands to the remote control. Not that you can escape them. The true mark of dictatorship is audiovisual dictatorship: They beam their images on every TV and radio channel, monopolising your sensory reception, like a sci-fi movie, or like a spoiled child demanding your full attention. At 6pm every day for the past four years, the hands clutching the remote have reached for the only possible button. Off.
Asean films receive special showcase
Life, Kong Rithdee, Published on 04/07/2018
» The riches of Southeast Asian stories and images are celebrated at the 4th Bangkok Asean Film Festival, which opens tonight at SF CentralWorld and runs until Sunday. Hosted by the Thai Ministry of Culture, this year's edition marks the 51st anniversary of the Association of Southeast Asian Nations, the regional body whose primary mission is economics and which increasingly pays more heed to cultural promotion.
The French Connection
Life, Kong Rithdee, Published on 09/05/2018
» In the opening episode of Ten Years Thailand, a group of soldiers arrives at an art gallery to inspect a potentially subversive artwork. What constitutes a kernel of subversion, however, is hard to lay a finger on. So the story shifts: one of the soldiers begins to chat up a pretty maid, and as the Sun is setting the two of them look out from the gallery to the horizon full of shadows. Maybe of hope.
Into the strange forest
Life, Kong Rithdee, Published on 09/09/2016
» The dirt road is dry and red, scorched by the Isan sun. The headmaster is wary, sardonic, and enervated by the heat. The students, or at least some of them, are bored and ironic ("What do you want to be when you grow up?" a teacher asks. "A bank robber," he deadpans.) Next to this poor state school is a forest, sun-dappled, mysterious and probably haunted. Girls are warned not to go in there because they may never come back out.
Banned transgender-themed film stirs up debate about 'arbitrary' censorship
News, Kong Rithdee, Published on 30/12/2015
» For five years Tanwarin Sukkhapisit fought an unprecedented court case, and last week she lost. But what's more important, says the film director of Insects in the Backyard, is how the case has exposed the loose, arbitrary interpretation of the Film Act 2008 that led her film to be banned in the first place.
Wild tales
Life, Kong Rithdee, Published on 13/11/2015
» 'Morning now dawned and Shahrazad broke off from what she had allowed to say…" -- so begins the story on each night of Tales Of 1,001 Nights, the fantastic yarns of peasants, kings, slaves, lovers, viziers, angels, sex, human anatomy (Night 449), devils in the bottle (Night 567), glory, injustice, pleasure, and all the mundane and the magical in the world. It is the collection of some of the greatest tales ever told. But then, what, exactly, is Arabian Nights all about?
Interpreting the legend
Life, Kong Rithdee, Published on 21/11/2014
» O INHABIT A TORTURED SOUL, Gaspard Ulleil lost weight and arrived on the first day of shooting for Saint Laurent "in a body that wasn't mine". The classy, strong-jawed French actor, 30, adds: "It's important, because it helped me to transcend something and meet the character."
When in doubt, gag the dissenters
News, Kong Rithdee, Published on 27/09/2014
» Banning is the oldest trick in the authoritarian playbook, dating back to the pre-Medici, pre-Bolshevik, pre-YouTube era. It's placebo, and yet the illusion of efficiency still works like drugs among jittery leaders and strongmen who fear papers, images, testaments and sometimes truth.