Showing 1 - 9 of 9
Ripley strikes quite exquisitely, again
Life, Kong Rithdee, Published on 12/04/2024
» Just when you thought the original book was bled dry, its last drop of smouldering homoerotic blood squeezed and sucked by multilple movie adaptations, from Rene Clement (French) and Anthony Minghella (American) to Liliana Cavani (Italian), here comes Steven Zaillian's seven-episode Netflix series bluntly titled Ripley. Dusky and exquisitely coldblooded, the latest reworking proves that the Patricia Highsmith's 1955 novel The Talented Mr. Ripley is a living gift that continues giving after 69 years.
Of zombies and fairy tales
Life, Kong Rithdee, Published on 20/05/2022
» The opening films across the three programmes at the 75th Cannes Film Festival speak of disparate destinies of contemporary cinema, from the poetic to the political and the pointless. Let's start with the latter.
In Cannes, it's cinema as usual
Life, Kong Rithdee, Published on 17/05/2022
» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.
Melancholy and absurdity
Life, Kong Rithdee, Published on 14/05/2021
» Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India's Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
The Year of Great Reckoning
Life, Kong Rithdee, Published on 16/12/2020
» For filmgoers, it was a year of mortal dread. The screen went dark, like a coffin nailed shut, and is still like that in many places. Faith in cinema as we've known it was rattled, challenged, and endangered with a Biblical overtone; it's a plague we're dealing with, after all. It was a year unlike any other we had seen before in the 125 years since cinema was invented. And while that sounds dispiriting, 2020 has also been a "Year of Great Reckoning" during which the equilibrium was recalibrated and the idea of moving images continues, as it should, to evolve.
Thai idols fall in line with orthodoxy
News, Kong Rithdee, Published on 01/09/2018
» Poor coup-makers, no one wants to see them on TV. At 6pm sharp when the theme song begins, there's a rush of hands to the remote control. Not that you can escape them. The true mark of dictatorship is audiovisual dictatorship: They beam their images on every TV and radio channel, monopolising your sensory reception, like a sci-fi movie, or like a spoiled child demanding your full attention. At 6pm every day for the past four years, the hands clutching the remote have reached for the only possible button. Off.
Oldman shines bright in Darkest Hour
Life, Kong Rithdee, Published on 12/01/2018
» Jowly, chubby, blustery, cinema-ready, Gary Oldman as Winston Churchill is an exercise in How to Win the Golden Globes and Maybe the Oscar. Which aspiring actor wouldn't want to become Churchill at least once, to act out that avuncular theatricality and grandiose temper, to assume that oratory bombast and majestic eloquence? They say you have to play a madman or a psychopath to get a shot at a best actor prize. Now we should add British prime minister into the list -- just ask Meryl Streep and now Oldman.
Killer and victim
Life, Kong Rithdee, Published on 08/12/2017
» Sandome no satsujin (The Third Murder) -- which is way more gripping and finely-crafted than Murder On The Orient Express -- is a Japanese whodunit wrought with the dramaturgy of a Russian novel. Right at the opening, we see a murder being committed: Takashi Misumi (Koji Yakusho) is clubbing a man -- the owner of a factory where he works -- to death on a riverbank. But in its staunchly reflective storyline, The Third Murder is as much about the murder itself as it is about the killer's complex motif that underlines the elusiveness of truth, reason, justice and victimhood -- of crime and punishment.
Sex, truth & politics
Life, Kong Rithdee, Published on 11/09/2017
» In Uthis Haemamool's new novel, the protagonist's erotic adventure runs parallel to Thailand's political education. A man's carnal quests and sexual outbursts become, in a way, an allegory of a larger social context as the country goes through three coups d'etat and several convulsive protests in the past 25 years. The awakening of the loin as a metaphor for political orgasm, physical penetration as an analogy for abuses of power -- <i>Rang Haeng Pratana</i> (Silhouette Of Desire) is a novel that, Uthis admits, presents him with many risks as a writer.