Showing 1 - 7 of 7
Corona and the death of cinema (again)
Life, Kong Rithdee, Published on 30/03/2020
» "Cinema is an invention without a future," said Louis Lumiere who, along with his brother Auguste, invented the Cinematographe in 1895. From its birth, cinema was convinced of its own death. From the very beginning, cinema predicted its own eventual demise. And that was before the two world wars, the advent of home video, laser disc, DVDs, Blu-rays, terrorism, mass shootings, Netflix, and now the coronavirus, the latest scourge that has sealed shut cinema houses around the world.
A not-so-mundane history
Life, Kong Rithdee, Published on 27/06/2018
» A lampshade, elegant and shiny, bears a distinct image of the Siamese constitution over the map of Thailand. A nielloware cigarette box, in solemn brass and black, also features an engraving of the constitution -- the emblematic figure of a folded scripture on a tray. Next to it are matchbox labels, pins, a glass bottle, a bowl, a water jar, an ashtray, a vinyl record. All of them carry the symbolism of the seismic transformation that took place 86 years ago.
Toronto top picks
Life, Kong Rithdee, Published on 22/09/2017
» A showcase of Oscar hopefuls and world cinema highlights, the film festival which wrapped up last weekend is one of the most influential in the world. Here are our highlights
Judging the judges at Cannes
Life, Kong Rithdee, Published on 01/02/2017
» There was a chorus of surprise when the 69th Cannes Film Festival last Sunday awarded its top prize to Ken Loach's welfare drama I, Daniel Blake -- because the film was largely absent from the critical radar during the 12-day festival. A bigger surprise (not to say disappointment) was when the second prize went to Xavier Dolan's melodrama It's Only The End Of The World, because the film was nearly unanimously disliked for its histrionics and theatrical conceits. When the jury, led by Mad Max director George Miller, gave the prize to Dolan's film, a joke sprang up and quickly caught on, inspired by the film's title: yes, for this film to be honoured by Cannes it is the end of the world, or the end of cinema. Apocalypse now!
A tale of two cinemas
Life, Kong Rithdee, Published on 28/07/2015
» The benefits of reviving a century-old movie house are more than just monetary
‘Citizenfour’ rings eerily close to home
News, Kong Rithdee, Published on 21/02/2015
» Come Oscar night tomorrow, Edward Snowden, still holed up in Moscow, won’t be joining the glitterati in Los Angeles though the film in which he is appears likely to snatch a golden doll. Unless there’s a major upset, Citizenfour should win Best Documentary, and the spectre of massive national surveillance, indiscriminate spying and the thorny scuffle to find balance between national security and the sanctity of human rights will, hopefully, steal some of the vacuous limelight that characterises the Oscars.
Night hasn't yet fallen
Life, Kong Rithdee, Published on 22/08/2012
» Ying Liang first heard he couldn't go home when he called his mother in China. He was then in South Korea, and soon the news was confirmed by the police: should he set foot back in Shanghai, where his family lives, the film-maker will face arrest.