Showing 1 - 5 of 5
The cyber whodunnit and the global blame game
News, Leonid Bershidsky, Published on 21/12/2017
» The US government has officially attributed to North Korea the WannaCry ransomware attack, which encrypted hundreds of thousands of computer drives around the world in May, 2017. And yet as with a series of other highly public cyberattack attributions, little evidence for the claim was made public. It's time for the cybersecurity world to follow the advice of the Rand Corporation and set up an unbiased international consortium that would seek to attribute attacks based on a common set of rules.
US hubris has real-world consequences
News, Philip J Cunningham, Published on 23/12/2014
» The Interview is based on a deeply-flawed conceit rooted in American exceptionalism: that a film about the killing a leader for the fun of it is funny as long as the target is unpopular and foreign.
Sony pays the price
News, Published on 22/12/2014
» Culture has collided once again with reality over the Hollywood movie The Interview. This ill-considered film has become a major international incident, as well as a controversial censorship lesson. US President Barack Obama and the government of North Korea are at the centre of the dispute. It now involves an early shot in what experts call cyberwar, and the biggest exposure ever of corporate secrets.
Sony hack puts spotlight on Pyongyang ISP
Published on 20/12/2014
» While the United States weighs its options for responding to the Sony Pictures computer hack that it blames on North Korea, investigators are still trying to shed light on the Thailand connection to the breach.
Autocratic filmmaking is our forte
News, Kong Rithdee, Published on 20/12/2014
» In the week Sony censored itself and shelved the Christmas Day release of The Interview, a comedy about the assassination of North Korean leader Kim Jong-un, I'm reminded of this slim book on my desk which I sometimes flip to random pages. One has this: "In the capitalist system of filmmaking the director is called 'director' but, in fact, the right of supervision and control over film production is entirely in the hands of the tycoons of the filmmaking industry who have the money, whereas the directors are nothing but their agents."