Showing 1 - 10 of 37
House of the rising Son
Life, John Clewley, Published on 27/09/2022
» Son House is regarded as one of the greats of early blues, along with early recording stars like Charley Patton and Robert Johnson. He made 78rpm records in the 1930s but a spell in penitentiary halted his career and by the 1940s he had abandoned recording. It wasn't until 1964 that Nick Perls, Dick Waterman and Phil Spiro "rediscovered" him working at a gas station. He was completely unaware of the interest in folk blues at the time (Skip James and Bukka White were already playing crossover folk clubs).
New kids on the block
Life, Suwitcha Chaiyong, Published on 18/04/2022
» Girl group Wish Me is unique in many ways. First, unlike many all-girl bands that have a lot of members, Wish Me only has four — Wachariya 'Sprite' Jarupungomon, Minyada 'Fahsai' Boonsup, Thanaporn 'Puyfai' Suriyakham and Wachiraya 'Baifern' Gaeovong.
The Pleasure's All Hers
B Magazine, Chanun Poomsawai, Published on 19/07/2020
» It might be nearly a decade ago, but the year 2012 would still go down in history as one of the most vital years for pop music.
Keep on rockin' in a lockdown
Life, John Clewley, Published on 14/04/2020
» The sonic landscape of my life in central Bangkok has changed dramatically over the past few weeks of social distancing. Gone are the sounds of construction drills, booming pile drivers, honking horns, unmuffled motorcyles and throbbing tuk-tuks. I can hear birdsong of all kinds in the mornings and, at dusk, the whirring and squeaking of different bat species as they zoom around hunting for insects.
Closer to home
B Magazine, Chanun Poomsawai, Published on 29/03/2020
» "Sister, I promise you I'm changing/ You've heard broken promises I know," Dan Snaith wastes no time wearing his heart on his sleeve on Sister, the opening track to his latest album as Caribou, Suddenly.
Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
Forever is a long time
B Magazine, Chanun Poomsawai, Published on 29/09/2019
» Let's be frank, bands like Metronomy are hard to come by these days. Call us myopic, but we honestly can't think of any up-and-coming groups who would be savvy enough to come up with classic indie jams like A Thing For Me, The Look, The Bay and Everything Goes My Way. A knack for blending eclectic genres seems to come naturally to the UK quartet, a gift that served them especially well from 2008's Nights Out through to 2014's Love Letters.
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
Small things considered
B Magazine, Chanun Poomsawai, Published on 23/06/2019
» In much the same way that eyes are said to be the window to the soul, band names give us a glimpse into the collective personality lurking behind each group. And as far as Thai band names are concerned, they can range from prosaic (Solitude Is Bliss, My Life As Ali Thomas) and whimsical (Apartment Khunpa, Charblues, Gym and Swim) to absolutely outlandish (Big Ass, Calories Blah Blah). For Sakon Nakhon-based trio Junlaholaan, names represent a curious juxtaposition where two incongruous concepts (jun, micro, and holaan, enormous) coexist to convey a deeply philosophical message. Yes, we are but a tiny speck in the universe -- the band seems to be saying -- but at the same time, a butterfly in Brazil could also cause a tornado in Texas, couldn't it?
Cut above the rest
B Magazine, Chanun Poomsawai, Published on 12/05/2019
» We first heard the name Cut The Crab back in 2014 when their single Mai Mee Kam Tob (Without Doubt) was featured in the Future Sound Of Bangkok's envelope-pushing debut compilation. Besides being one of the most forward-thinking records of that year, the compilation also gave us a sample of what local talents were capable of. Along with eclectic artists ranging from DCNXTR and Gramaphone Children (Jaree Thanapura) to Nolens.Volens. and Plastic Section, Cut The Crab stood out among the gifted bunch as a highly promising newcomer with a keen ear for electro-pop brilliance. Even though the band hasn't been exactly prolific over the past few years, the trio-turned-duo are now back at it with the release of their self-titled debut EP, a six-track collection that's been nearly half a decade in the making.