Showing 1 - 10 of 65
So much art, so little time
Life, Kaona Pongpipat, Published on 01/02/2017
» Chiang Mai got its fill last weekend, and now it's time for the Bangkok edition of Galleries' Night, organised by the French embassy. First of all, it just amazes you how active the scene is. Running on Friday and Saturday, there will be more than 40 galleries participating in the event where venues open late into the night.
Exposure is key to Chiang Mai photography exhibition
Life, Kaona Pongpipat, Published on 25/01/2017
» The room is red and hot, but nothing feels erotic about it. Eight naked models are featured in Tada Hengsapkul's latest photography show "The Things That Take Us Apart", yet it resulted not in a height of sexual tension but just a seemingly normal and civilised social gathering.
Edgy film gets axe but soap rapes go on
News, Kaona Pongpipat, Published on 24/11/2016
» It is with a frustratingly slow pace that Motel Mist, SEA Write Award-winner Prabda Yoon's debut feature film, starts off and it remains slow until much later on in the film.
Silent scream
Life, Kaona Pongpipat, Published on 09/11/2016
» Like most other entertainment and cultural events, artist Sina Wittayawiroj's solo exhibition "Beat Around The Bush" at Bridge Art Space was cancelled last month due to the passing of His Majesty King Bhumibol Adulyadej. It was not the right time, Sina said, because this is a sensitive time and his set of multidisciplinary works attempt to speak about a certain chapter in history, which has remained a taboo.
Importance of moving on amid our grief
News, Kaona Pongpipat, Published on 28/10/2016
» It has been two weeks now since the passing of His Majesty King Bhumibol Adulyadej. For many of us, everything is still surreal wherein time is no factor. Since that fateful afternoon, the whole nation has turned black. "You'll no longer see what you have seen, but what you haven't seen before," someone wrote on his Facebook post. This is precisely the case.
The politics of love
Life, Kaona Pongpipat, Published on 08/09/2016
» Thanapol Virulhakul, critically-acclaimed stage director and choreographer, has a way of giving space a certain significance. His take is usually minimalistic, the stage bare and his actors assigned with limited set of movements, and it is the relentless repetition of those elements that would slowly make up the storyline and become part of the blow in the end.
Art to float your boat
Life, Kaona Pongpipat, Published on 17/08/2016
» A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.
Sense behind the madness
Life, Kaona Pongpipat, Published on 08/07/2016
» One is either enthralled, frustrated or confused by Apichatpong Weerasethakul's films. It's possibly a reflex of a complex and conflicting emotion -- you are not sure whether it's yourself as an audience or Apichatpong as a filmmaker that inspire those reactions.
The traditional office may go way of the dinosaur
Life, Kaona Pongpipat, Published on 06/07/2016
» In the not-so-distant future people may no longer be working in offices but instead will turn to alternative venues such as co-working spaces. This speculation is not hasty, considering it is the current vision of Charle Charoenphan, co-founder of one of Thailand's first co-working companies HUBBA. Since its launch in 2012, the business has thrived and Charle said in the past few years roughly 500 such spaces have sprung up across Thailand.
A simulated freedom is our best hope
News, Kaona Pongpipat, Published on 30/06/2016
» So, David Cameron in the UK is quitting and Prime Minister Prayut Chan-o-cha won't. Then came along Lionel Messi and England manager Roy Hodgson's sudden decisions to retire from their international duties. But one should not bring all this up again; all is settled at home, the man stood his ground.