Showing 1 - 10 of 27
AFP, Published on 21/07/2022
» HONG KONG - As a teenager stuck in Hong Kong's pressure-cooker school system, Eric Yip found his escape in writing poetry -- never dreaming that one day his work would go on to win a top prize halfway across the world.
Life, Thana Boonlert, Published on 06/06/2022
» A daubed wall marks off a rundown area where makeshift houses were put up for rent, a stone's throw from a luxury condominium in the heart of Bangkok's Sathon. A 40-year-old man exits his car with pink luggage. He puts on a black hat and ties a small cloth around his head. He's wearing a long-sleeve checked shirt, shorts, and black sneakers and his socks are printed with cannabis patterns. Mue Bon, literally translated as "restless hands", opens his arsenal and begins to spray paint a rough sketch of the flightless black bird on the wall.
Life, Thana Boonlert, Published on 26/04/2022
» Despite a two-year hiatus, Nutchanat La-ongsri commanded a stage with unwavering power. Donning a large headpiece, she pulled on a white costume with a red strap tied on her upper body. Her back rose up like a bird's tail. She pressed her hands in front, showing silver bracelets and nail tips. After a wai kru ceremony, she staged a play in nora kaek, the dying breed of performance art from the Deep South.
Life, Pattarawadee Saengmanee, Published on 19/08/2020
» Like other cities across the world, Bangkok has been affected by the Covid-19 pandemic. As a result, people have been falling into depression over the past several months. So, in order to bring the cheerful spirit back, the Creative Economy Agency is joining hands with a crowd of new-wave and veteran artists in the "Colour Of Charoenkrung" project to revitalise Thailand's old commercial hub.
B Magazine, Chanun Poomsawai, Published on 02/02/2020
» It's been nearly half-a-decade since Dan Deacon's last album, Gliss Riffer, was unleashed onto the world. On that acclaimed 2015 release, the Baltimore-based composer tackled and found solace in the finality of life through head-spinning highlights like When I Was Done Dying and Sheathed Wings. It was also the first album since his debut LP, Spiderman Of The Rings, that he recorded and produced himself.
Life, Kong Rithdee, Published on 31/12/2019
» The title of a new Thai film is a bilingual wordplay: How To Ting is literally translated as "how to dump". That, I think, is sharper than its tired official English title, Happy Old Year. To dump or not to dump -- things and people, mementos and memories -- that is the question. In the film, a young designer who's dressed like a Muji model, and who has just returned from studying in the minimalist-paradise Sweden, plans to dump all useless objects from her maximalist Bangkok house, where she lives with her mother and brother, and to turn it into an all-white, supremely sparse and unapologetically decluttered interior nirvana -- a home office lifted straight from a Scandinavian style book.
Life, Yvonne Bohwongprasert, Published on 11/12/2019
» For nine days, Malaysia's capital city Kuala Lumpur was ablaze with creativity, representing art in all forms at Urbanscapes 2019, the longest-running creative arts festival that celebrated its 17th edition late last month.
B Magazine, Chanun Poomsawai, Published on 03/02/2019
» "Attending an unplanned party/ Never ready, didn't really wanna come/ Saying 'hello' to acquaintances/ Gotta be careful not to smile too much/ It just wouldn't be appropriate," without knowing the track's title, the opening verse of The Charapaabs' debut single, Sala Kon Sao (Funeral Party), reads like something of a typical introvert's diary. As the second verse arrives, it becomes clear that the aforementioned "party" is actually a funeral where "the host refrains from making an appearance" (worth noting a clever wordplay here -- ook long, literally "out of coffin", is used instead of ook rong, which is a Thai expression meaning to make an appearance).
B Magazine, Chanun Poomsawai, Published on 08/10/2017
» On his new EP, tenor saxophonist and composer Kamasi Washington reaffirms his status as a genre-blurring king of the new jazz generation.