Showing 1 - 10 of 71
Supermarket satire
Life, Kaona Pongpipat, Published on 10/03/2017
» To celebrate the 160th anniversary of Thai-Japanese diplomatic relations, the Japan Foundation Bangkok is presenting renowned Japanese playwright and director Toshiki Okada's Super Premium Soft Double Vanilla Rich at Chulalongkorn University's Sodsai Pantoomkomol Centre for Dramatic Arts until Sunday.
Freedom, creatively speaking
Life, Kaona Pongpipat, Published on 22/02/2017
» In many ways, "Condemned To Be Free", a duo exhibition which just opened last week at WTF Gallery, is in a constant state of flux. On the first floor, artist Kritsada Duchsadeevanich looks simultaneously at the transformation of his own political ideology and that of the country's political history. On the upper floor, painter Tawan Wattuya leaves out his watercolours and turns the gallery into an experimental space where the lines between art and activism, the authority of an artist and voice of ordinary people, are blurred.
The art of activism
Life, Kaona Pongpipat, Published on 20/02/2017
» The Thai arts scene has become more politically engaging in the past couple of years. The 2014 coup, of course, has been the most significant transition point in this respect. Before, it was very much about making sense of the colour-coded divide, trying to get into the mentality behind such ideological conflict. In the post-coup era, however, it can be said that the ideas and interests have become somewhat more unified. Artists have become increasingly aware of and responded more to the authoritarian power and the climate of fear and rights restriction.
Unveiling layers of himself
Life, Kaona Pongpipat, Published on 08/02/2017
» A photography show on display at Bangkok Art and Culture Centre's Studio room on the fourth floor is anything but pictorial in the traditional sense. Confronting viewers right after entering is a collage of shots arranged together, kaleidoscope-like. Nearby, four images placed together capture the photographer's motion while walking. Further inside, the photographer's self-portrait is ghostly transparent as a result of an experiment with long exposure.
Remaking the scene
Life, Kaona Pongpipat, Published on 21/12/2016
» It has been a busy year for the Thai art scene, with well-known artists taking turns treating Bangkok viewers to their latest works, new galleries welcomed and old ones closing down, and politics remaining deeply embedded in artistic expression.
A quiet weekend of dance
Life, Kaona Pongpipat, Published on 15/12/2016
» The 11th International Butoh Festival kicked off last week with performances Sonata For An Uninhibited Body by Rosana Barra, Oju Obá -- The Eyes Of The Falling King, The Eyes Of The Rising King by Calé Miranda and Indonesian performer Tony Broer's untitled show. Awaiting Butoh fans on this second and final weekend is one of the festival's highlights: Quiet House, a collaboration piece by Japan's Takayuki Takita and Yuko Kawamoto, and Teerawat Mulvilai from B-Floor Theatre.
Knockin' on parody's door
Life, Kaona Pongpipat, Published on 07/11/2016
» Enough about Bob Dylan and his Nobel Prize in Literature. He took his time but finally accepted the honour and will make it to the ceremony in Stockholm in December if he can.
By approval
Life, Kaona Pongpipat, Published on 26/10/2016
» The most pressing issue in the capital's art scene this month is, of course, the well-being of some hundred carp put in the temporary pool as part of photographer Rapat Bunduwanich's "Photo Festival", a show whose title tricks us into thinking that there are other people in the show.
Born, bred (and perhaps brewed)
Life, Kaona Pongpipat, Published on 19/08/2016
» The place looks like a regular house in the suburban Pak Kret district, roughly one-hour drive out of Bangkok. Look closer, however, the house appears unlived, more like a warehouse with some sort of operation going on inside, and a walk round to its backyard reveals five massive hothouses which span 1,600m².
Art to float your boat
Life, Kaona Pongpipat, Published on 17/08/2016
» A watermelon is in the centre of the screen, and we watch it being gradually squeezed as two pairs of hands continuously put rubber bands around it. On another screen, a woman is in the middle of nowhere and suddenly takes out a toaster before hurling it away with all her strength like a hammer throw.