Showing 61 - 70 of 230
Hoping to take the top prize East
Life, Kong Rithdee, Published on 16/05/2018
» Asian filmmakers have so far fielded a strong force at the 71st Cannes Film Festival, and when the Palme d'Or is decided on Saturday by the Cate Blanchett-led jury there's a real chance that the top prize might go to one of the Asian titles -- after a Turkish film in 2014 (Winter Sleep) and a Thai film back in 2010 (Uncle Boonmee Who Can Recall His Past Lives).
Dream, murder and reality
Life, Kong Rithdee, Published on 18/05/2018
» The 11-day Cannes Film Festival will close tomorrow, and as the race for the Palme d'Or is the most breathtaking in years, we look at some of the highlights of the second week of the world's largest movie festival
Beyond the cinematic glitz
B Magazine, Kong Rithdee, Published on 20/05/2018
» In the past 10 days the seaside city of Cannes has been in the news with noisy fanfare and dazzling colour, led by pictures of bare-shouldered stars sauntering down the red carpet on a daily basis. It happens every year in May, as the world's largest cine-event, the Cannes Film Festival, attracts thousands of journalists, photographers and industry professionals to the Mediterranean resort town made out to become a self-contained universe of glamour. Throughout its 71st edition, which ended yesterday, Cannes once again commanded the attention of the world.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.
Stop the tall tales about election dates
News, Kong Rithdee, Published on 26/05/2018
» There's no way round it and there's no time for subtlety: The past four years have been a sham, a false dream stage-managed by false prophets.
Lights out at Lido, but can art hub shine?
News, Kong Rithdee, Published on 02/06/2018
» It was a tearful farewell at the Lido Theatre on Thursday night, with a thousand fans congregating to say goodbye to the old-school, unglamorous, 50-year-old cinema in Siam Square. After the last picture show on May 31, all Lido’s staff and managers lined up like a guard of honour to wai and thank the audiences filing out of the rooms, a surprise parting shot that tugged deeply at the heart strings of even the most unsentimental viewers. To paraphrase Chris Hemsworth, aka Thor of Asgard, Lido is not a place but a people. It’s also a memory. That’s why we wept. That’s what we’ll miss Lido for.
Bridging times and cities
Life, Kong Rithdee, Published on 06/06/2018
» On a recent visit to Bangkok, Baron Patrick Nothomb recalled the tremors of anxiety when the Thai-Belgian bridge was about to be assembled 30 years ago.
Beware the tears of a crocodile
News, Kong Rithdee, Published on 09/06/2018
» 'The tears were obviously theatrics. They're political tears. Stop crying and stop trying to fool the people. Stop using the same trick over and over for your political gains."
Worthwhile addition to the Avatar universe
Life, Kong Rithdee, Published on 13/06/2018
» It seems like a perfect match: Cirque du Soleil and Avatar.
All in the family
Life, Kong Rithdee, Published on 14/06/2018
» You know you're walking into a horror movie, but the brilliance of Ari Aster's Hereditary is the way it deftly hides its cards and stacks up mystery upon mystery, secret upon secret, madness upon madness, until everything unravels in demonic hellfire. The film ticks all the familiar elements of a ghost story -- a dead grandma, a spooky house, a grave robbery, a candlelit seance where spirits are summoned, a sleepwalker roaming the dim corridor, an occult sign written on the wall, a couple of headless corpses, etc -- but Hereditary rises above the genre formula with its coolly composed formalism, its deliberate pacing, and its sly psychological manipulation that almost convinces us at certain points that this is more of a domestic drama than a horror movie.