Showing 1 - 10 of 13
All the king's men: Naii Nai staged as The Gentlemen
Life, Kaona Pongpipat, Published on 29/01/2015
» Unfortunately, Pichet Klunchun will not appear onstage in a reproduction of his dance performance Naii Nai which begins tomorrow at Chulalongkorn University's Sodsai Pantoomkomol Centre of Dramatic Arts. Other changes from last year's staging in Singapore with TheatreWorks include the title, which has changed to The Gentlemen, and the performance's narrative, which has been rendered more conventional.
Regional revolution
Life, Kaona Pongpipat, Published on 03/02/2016
» 'An art fair is always a commercial event," said Lorenzo Rudolf, founder and president of Art Stage Singapore whose sixth edition ended last month. There's not a response more apt than that to a common complaint like: "Oh, but Art Stage is too commercial." It's an art fair, and quite naturally, as Rudolf added in an interview during the fair, "the galleries come here to sell".
Exhibition asks, 'Has happiness returned to Thailand?'
Life, Kaona Pongpipat, Published on 27/07/2016
» If "Fear" -- Manit Sriwanichapoom's latest photography and video show, which opened over the past weekend at H Gallery, Tang Contemporary Art and Kathmandu Photo Gallery (and at Yavuz Gallery in Singapore at the end of the month) -- isn't the hottest topic of discussion in the capital's art scene already, it soon will be.
Threading her way through Islam
Life, Kaona Pongpipat, Published on 08/09/2016
» The painting looks computerised, yet there are imperfections as if it was made by hand. Looking closely, the forms on the work seem abstract, yet from afar, they are clearly human figures kneeling down as if praying. Entitled Jamaah 2, an Arabic term loosely meaning the act of doing good in congregation with the community, the work is by Thidarat Chantachua, and it was the winner of the 2015 UOB Painting of the Year Award in the Established Artist Category.
Abstractions and acquaintances
Life, Kaona Pongpipat, Published on 09/03/2016
» As the title "Dusadee + Dusit + Lovers + Dead Ones" suggests, Dusadee Huntrakul's current exhibition at Chulalongkorn University's The Art Center is not exactly a solo show, but a bit of a reunion.
High concept
Life, Kaona Pongpipat, Published on 28/09/2016
» Entang Wiharso, Geraldine Javier, Zeng Fanzhi, Zhao Zhao -- I've Googled them, and yes, they are all huge in the contemporary art world.
A national blindside for contemporary art
Life, Kaona Pongpipat, Published on 08/08/2016
» Ten million baht was the sum that 81-year-old Waraporn Suravadi, the caretaker of the Bangkok Folk's Museum, needed to buy the plot of land next to her museum, which was to become the site of an eight-storey building. That construction project could potentially spoil the view and atmosphere of the museum -- a well-preserved war-era teak house that displays rare and valuable items dating back more than 100 years, to the reign of King Rama V.
Searching for identity
Life, Kaona Pongpipat, Published on 06/01/2016
» In one exhibition room at Navin Rawanchaikul's studiOK in Chiang Mai, wooden crates used for shipping his previous artworks are piled up as a huge rectangular structure. An entrance on one side reveals an old fabric shop, with rolls of cloth of various colours, desks and measurement tools. Open for viewing for the first time late last month, the "shop" is an exact recreation of O.K. Store, Navin's family clothing store, his original home in Chiang Mai's Warorot Market.
Building blocks
Life, Kaona Pongpipat, Published on 25/11/2015
» ‘An example of bold, contemporary architectural thinking,” said World Architecture Festival director Paul Finch of “The Interlace”, a residential development designed by OMA/Buro Ole Scheeren, which has been crowned World Building of the Year 2015 at the World Architecture Festival in Singapore earlier this month.
Coming full circle
Life, Kaona Pongpipat, Published on 08/10/2014
» Running at Bangkok Art and Culture Centre (BACC) until the middle of next month, “Thai Charisma: Heritage + Creative Power” is a juxtaposition of museum-quality artefacts and contemporary works of art — the very old with the very new — which results in an experience that’s sometimes so overwhelming that it’s difficult to digest or even describe.