Showing 1-6 of 6 results
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Sculpting Complex, Urban Cityscapes
Life, Pimrapee Thungkasemvathana, Published on 04/03/2015
» Rattana Salee and Therdkiat Wangwatchakul walk the streets of Bangkok, recording what they see with a camera, imprinting images in their minds. Their Bangkok is personal, one that transforms frantically on the surface, and even more tumultuously below. "Representing Localities: Memory And Experience" at Thavibu Gallery presents their lives in the city, where urban development is the setting for sober contemplation.
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Rips and tears, black and blue
Life, Pimrapee Thungkasemvathana, Published on 28/01/2015
» At a New Year's party at CentralWorld, Soopakorn Srisakul took a picture of his friend as she lifted her arm, revealing a tear in her old black tank top. He wanted to frame her tight-fisted nature — her unwillingness to buy a new shirt — but he unintentionally captured something else: the resulting scar from breast implants that peeked through the hole. Soopakorn's arm also appears in the photograph, pushing her hand and hair aside to reveal a secret.
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Rich tapestry of Thai society
Life, Pimrapee Thungkasemvathana, Published on 02/02/2015
» All things considered, the 14 stories in the collection translated by Marcel Barang read like a list of social issues a Thai should be aware of: participating in last year's protests without genuine understanding and interest; having an affair with someone of an opposing political colour; the death of red-shirt poet Mai Nueng; violence in the South; hilltop villages; the move from local farms to factory farming. And Buddhism.
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Masterly delve into the video age
Life, Pimrapee Thungkasemvathana, Published on 05/12/2014
» It's so meta sitting at House RCA cinema watching how its founders used to get their fix of indie films.
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Molam's mass movement
Life, Pimrapee Thungkasemvathana, Published on 07/11/2014
» 'Molam can't be tamed," so the old saying goes. The years have certainly proven this true. From now until the end of March next year, the Jim Thompson Art Center presents "Joyful Khaen, Joyful Dance", an exhibition tracing the development of molam from its ritualistic roots in Isan, through its passage as anti-communism propaganda, to its current place in pop culture, where the once rural music is played to the cool or even international crowd of Bangkok.
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The leader's true self
Life, Pimrapee Thungkasemvathana, Published on 24/11/2014
» 'A few months ago, the [North Korean] Ministry of Interior issued a statement on TV — 'We will remove your existence from the universe'," says Jang Jin-sung, unfazed, over a decade after he fled North Korea in the middle of the day, across the frozen Yalu River and into China.
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