Showing 11-20 of 111 results
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Gosling's directorial debut misses mark
Life, Kong Rithdee, Published on 01/01/2016
» Last year when Ryan Gosling premiered his directorial debut Lost River at Cannes Film Festival, the chorus of boos, ridicule and cynical derision flooded the post-screening tweets and reviews. "Crapocalypse", some succinctly quipped, plus "insufferably conceited" and "folie de grandeur". Referring to Gosling's previous film as an actor, critic Jonathan Romney tweeted: "Let's see [if] God forgives this."
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Cannes you see it?
Life, Kong Rithdee, Published on 01/01/2016
» With Ingrid Bergman gazing from the poster, the 68th Cannes Film Festival opens tonight, carrying the usual weight of the world's premier battleground of cinema as art, commerce and glamour.
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Off to a quiet start
Life, Kong Rithdee, Published on 01/01/2016
» For its first two days, the 68th Cannes Film Festival hasn't managed to turn up the real heat. The world's most famous tapis rouge — or red carpet — of the Grande Theatre Lumiere might be set ablaze by the stars of the furiously hellish Mad Max: Fury Road, showing Out of Competition, but talking points early in this cine-circus include Catherine Deneuve's caricature on the cover of Charlie Hebdo and Salma Hayek gnawing at a sea dragon's heart cooked by a virgin. Otherwise, café punditry keeps up the Cannes tradition of guessing the Palme d'Or winner without anyone having seen all the contestants. Elsewhere on the Boulevard de la Croisette, things remained pretty underwhelming.
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A view from the gas chamber
Kong Rithdee, Published on 01/01/2016
» A Holocaust movie surprisingly becomes a topical subject in Thailand, after the highly publicised, highly embarrassing incident of a Thai aristocrat's grand denial of that historical tragedy (and a subsequent rebuttal by an Israeli ambassador).
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Cannes journal: Crazy love
Kong Rithdee, Published on 01/01/2016
» Critics go to Cannes carrying a degree of hallucination: we always expect the next screening to be a knockout – something that will "shut down the festival", like the so-dubbed grasshopper gown worn by Lupita N’yong’o on the red carpet five days ago.
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Leaving a Thai impression
Life, Kong Rithdee, Published on 01/01/2016
» Once again, a small Thai film blew over Cannes Film Festival like a graceful lover. On Monday, Apichatpong Weerasethakul's Cemetery Of Splendour (or Rak Ti Khon Kaen) was screened to a thundering 10-minute standing ovation in the Un Certain Regard section, where the film's elegant formalism and aching beauty, deeply rooted in the northeastern spirit and post-coup reflection, shook up the festival slumber.
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Thai film at Cannes a sign of our times
News, Kong Rithdee, Published on 01/01/2016
» Writing from Cannes Film Festival, I’m intoxicated by the perfume from bare-shouldered fashion and by the transient bliss of art. What is cinema? At Cannes, the world’s most prestigious cine-circus, the definition is what you imagine it to be: here on the red carpet and in the screening rooms, cinema is art, commerce, money, glamour, fashion, politics, passion, activism, frivolity, national pride. Maybe something more. Take your pick.
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Chinese hegemony
Life, Kong Rithdee, Published on 01/01/2016
» A gloomy assassin prowls the breathtaking fields of the Tang-era kingdom, while China's awkward march to become a 21st century world power stirs the emotional core of its people. The two Chinese-language films — Mountains May Depart from the mainland, The Assassin from Taiwan — let us savour two distinct sensibilities in the main competition as the world's largest movie showcase rounds its last bend. The awards will be announced on Sunday night, and the two films seem to have a decent chance of winning prizes, either big or small, in a year when the majority of the top-tier line-up leaves much to be desired.
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A good buy, on the surface
Life, Sithikorn Wongwudthianun, Published on 01/01/2016
» The Surface 3 carries the same DNA as the Surface Pro 3 (SP3) but with lower specs and a cheaper price. While its big brother, SP3, is surely "the tablet that can replace your laptop", the question is can Surface 3 carry on the Surface legacy?
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After the stardust has settled
Life, Kong Rithdee, Published on 01/01/2016
» Attending Cannes Film Festival is like watching Mad Max: relentless, breathless, and giddily exhilarating. The festival ended last Sunday, with the French film Dheepan by Jacques Audiard a dark-horse Palme d'Or winner, and it makes sense now to look back at the world's premier cinema showcase after a few days of recuperation from the madness, where things can be put into a better perspective.
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