Showing 81 - 90 of 694
Underwater folly
Life, Kong Rithdee, Published on 12/06/2019
» In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.
Once upon a time on the French Riviera
Life, Kong Rithdee, Published on 14/05/2019
» The spectacle ahead will -- hopefully (cinema sages are an optimistic bunch) -- be spectacular. The 72nd Cannes Film Festival opens tonight and there are all manner of curiosities to look forward to: an army of hipster zombies; Margot Robbie as Sharon Tate; Korean parasites; a Maradona doc; an Elton John biopic; Islamic extremism in Belgium; British miserabilism (Brexit and other demons); and, of course, Elle Fanning on the red carpet for 11 days straight, performing jury duty at the world's most reported, most hyped and most influential film festival.
Jim Jarmusch's zombies open Cannes
Life, Kong Rithdee, Published on 16/05/2019
» 'Infernal hipsters and their irony." So says a very unhip character in <I>The Dead Don't Die</I>, and of course, what else could it be? Jim Jarmusch's zombie comedy opened the 72nd Cannes Film Festival on Tuesday night with a sort-of infernal hipness that both literalises and subverts the zombie formula -- with mixed results.
Saint and sensibility
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?
Les Miserables: The simmering rage of Paris
Life, Kong Rithdee, Published on 17/05/2019
» Cannes Day 2 witnesses the rage of Paris -- not the yellow wrath of gilets jaunes, but the brown-and-black anger of rundown suburbs that makes up the complex social structure of modern France.
The old skeleton in the closet
Life, Kong Rithdee, Published on 05/04/2019
» Motherly ghosts are Southeast Asia's fiercest creatures, as they cling to their memories with a vengeance. In Marn-Da (The Only Mom), a Myanmar-Thai haunted-house horror, a motherless child wanders her old colonial house -- she was already dead, sure -- looking for love and hugs. When a new family moves in, the girl-ghost finds the perfect mother she never had and the old skeleton in the closet comes tumbling out.
Life lessons
Life, Kong Rithdee, Published on 13/03/2019
» Fate clicks its fingers and an already poignant piece in Navin Rawanchaikul's "Revisited <> Departed" becomes the exhibition's most moving. It's a photograph of the artist as he guides his ageing father's fragile hand around a metre stick -- an indispensable tool of trade for any fabric-wallah -- fronted by a group of clay moulds sculpted from the imprints of his father's hand.
Fierce and pitiful
Life, Kong Rithdee, Published on 20/03/2019
» Krasue is a Thai ghost beside whom vampires -- and other blood-lusting Western monsters -- pale in comparison. Basically a detached head of a woman floating around in the dark, lit up by a phosphorescent glow from her still-beating heart, and with her bloody entrails dangling below the head like an infested creeper, krasue feeds on, naturally, filth, blood, corpses and carcasses. Sometimes it's compared, for the sake of convenience, with Gothic-era will-o'-the-wisp or jack-o'-lantern. But seriously, please, that is a gross under-characterisation that discounts the supreme grotesqueness of krasue, born by the pulpy fantasy of our equatorial folklorists.
Through the looking glass
Life, Kong Rithdee, Published on 15/02/2019
» Tish Rivers, the woman in James Baldwin's novel If Beale Street Could Talk, muses to the reader in the book's first pages: "I hope that nobody has ever had to look at anybody they love through glass."
The skin I live in
Life, Kong Rithdee, Published on 11/01/2019
» The body is a temple. But it can also be a torture chamber, from which escape, while possible, is soul-crushing. Lukas Dhont's Girl is an emphatic, moving story about Lara (Victor Polster), a Belgian trans teen at an elite ballet school who's going through male-to-female gender reassignment. That she has to contend with her own hormones and pre-assigned biological specifics, as well as the fact that her chosen career mandates extreme rigour in how the body should bend and behave, Lara's fight is nothing short of heroic. And in that vein, the film is as well.