Showing 11 - 20 of 27
The ambiguity that obscures
Life, Amitha Amranand, Published on 16/02/2017
» One of my favourite poets, Billy Collins, said once: "I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticise something you can understand."
Swings and misses
Life, Amitha Amranand, Published on 15/12/2016
» These theatre newcomers close 2016 with daring productions. Even though some of the results were uneven, their desire to make meaningful and thought-provoking art is palpable
The historical made personal
Life, Amitha Amranand, Published on 06/10/2016
» We don't know where they are -- a man and a woman, he in a white three-piece suit, she in a white wedding gown. Soon we find out that they don't know where they are either. Then we find out who they are, but soon realise they are not sure.
The power of love
Life, Kanin Srimaneekulroj, Published on 24/05/2016
» Love -- as many of us are perhaps too painfully aware -- can sometimes be as bitter as it can be sweet. Like the age old adage tells us, "where there is love, there is suffering"; and yet, love seems to be one of those things that is universally coveted by mankind, as if we expect this ethereal concept of expectations and desire to be the answer to all the world's woes. But what happens when love seems to be the source of those woes? Is it still worth it to hold on to love, even if we are slowly damning ourselves to a lifetime of suffering?
Thai movies ride the Euro circuit
Life, Kong Rithdee, Published on 29/01/2016
» The new year starts with a slate of new Thai films -- and some older ones -- which are already making rounds at the European film festival circuit which began this week.
Art under stress
Life, Published on 02/12/2015
» Life's critics take a look at how artists in different fields reflected upon Thailand's political situation over the past 18 months — or why they chose not to.
The truth behind the facade
Life, Kaona Pongpipat, Published on 15/10/2015
» At a time when freedom of expression is becoming increasingly constrained, whether one is just an internet user, a filmmaker or an activist, experimental theatre troupe B-Floor is as relentless as ever. After Ornanong Thaisriwong's solo performance Bang La Merd earlier this year was attended by military officers, B-Floor is back under the directorial helm of Teerawat Mulvilai in Manoland.
Memories stained with Rouge
Life, Kaona Pongpipat, Published on 15/10/2015
» This year marks the 40th anniversary of the beginning of the Khmer Rouge regime's four-year massacre that resulted in nearly 2 million Cambodian deaths.
Dance of the majority
Life, Kaona Pongpipat, Published on 22/10/2015
» Watching Vidura Amranand dance in swirling red pants, in Teerawat Mulvilai's latest physical performance work Manoland, I was reminded of Somsong, the hysterical stepmother of Fak in Chat Kobjitti's 1985 novel Kam Pipaksa (The Judgement).
Lessons from the trenches
Life, Kaona Pongpipat, Published on 16/07/2015
» Through movements with a bit of monologue and dialogue, B-Floor's Sarut Komalittipong and Sasapin Siriwanij present their debut directorial production WW101 on the occasion of the 101st anniversary of the World War I. The idea began when the two directors travelled to Europe, visiting the Dachau concentration camp and realising how little they actually knew about the World Wars.