Showing 1 - 10 of 36
B Magazine, Story by Chanun Poomsawai, Published on 17/05/2020
» When Thai singer-songwriter Apiwat "Stamp" Ueathavornsuk, announced what he called a "live virtual birthday concert" on his Facebook page two weeks ago, the comment section was suddenly abuzz with excitement and anticipation (that and some genuine concerns over the technology involved -- "I'm so ready for this.
B Magazine, Chanun Poomsawai, Published on 19/04/2020
» "Up on a hill, here's where we begin/ This little story, a long time ago," Julian Casablancas sings on The Modern Age, one of the three tracks on The Strokes' 2001 eponymous debut EP, a precursor to the group's seminal full-length, Is This It.
B Magazine, Story by Melalin Mahavongtrakul, Published on 15/03/2020
» A short ride on a jeep brought us along the dirt road. It was just after 5pm in Chiang Rai. The weather was cool, with sunlight seeping between the haze and clouds. We arrived at our destination soon enough. Hiding behind walls of bamboo was lush greenery of the paddy field. We walked through, stepping on stones that led further inside to the big bubblelike structure perched on a raised platform. Right next to it is an enclosure where three elephants roamed.
B Magazine, Chanun Poomsawai, Published on 01/03/2020
» After almost a year-long build-up, Kevin Parker's latest offering under project Tame Impala is finally here. The album, their fourth following 2015's Currents, was first teased in March last year with lead single Borderline.
B Magazine, Chanun Poomsawai, Published on 09/02/2020
» "When I was 18/ Someone got stabbed in a church/ But I got used to it/ And forgave all the ways and the names/ It was so long ago, anyways," vocalist Jeremy Gaudet recounts on Murder In The Cathedral, the opening track to Kiwi Jr.'s debut album, Football Money. The vivid songwriting, buoyed by his bandmates' jangly instrumentation, is delivered with the kind of drawl that would have you thinking fondly of Pavement's Stephen Malkmus and The Strokes as well as the Modern Lovers' Jonathan Richman and Parquet Courts' Andrew Savage.
B Magazine, Chanun Poomsawai, Published on 02/02/2020
» It's been nearly half-a-decade since Dan Deacon's last album, Gliss Riffer, was unleashed onto the world. On that acclaimed 2015 release, the Baltimore-based composer tackled and found solace in the finality of life through head-spinning highlights like When I Was Done Dying and Sheathed Wings. It was also the first album since his debut LP, Spiderman Of The Rings, that he recorded and produced himself.
B Magazine, Chanun Poomsawai, Published on 19/01/2020
» Over the past few years, LA-based artist Sondre Lerche has made it his own little tradition to cover pop hits from the year that's been as a holiday gift to his fans. His past covers range from Miley Cyrus' Wrecking Ball and Drake's Hotline Bling to Sia's Chandelier and Beyoncé's Countdown. To cap off the end of the decade, Lerche has stepped up his game by essentially pulling a Ryan Adams circa 2015. But, instead of Taylor Swift, it's the former queen of pop, Britney Spears.
B Magazine, Story & photos : Peerawat Jariyasombat, Published on 24/11/2019
» When the fog blankets the sleepy valley of Mae Chaem in Chiang Mai province in early November, locals brave the cold to prepare for one of their most important traditional celebrations.
B Magazine, Chanun Poomsawai, Published on 27/10/2019
» Beadadoobee's backstory is one we're all familiar with: aspiring artist puts out a clip of themselves playing acoustic guitar in their bedroom on YouTube. The video goes viral, et voilà, a star is born. For Manila-born, London-based singer-songwriter Bea Kristi, it all began in 2017 with a cover of Karen O's The Moon Song and her own composition, a two-minute-long acoustic number called Coffee. The latter, set to simple guitar chords and earnest lyrics, has since inspired several covers performed by fans all around the world.
B Magazine, Chanun Poomsawai, Published on 20/10/2019
» "Dogs whine to communicate their physical, mental and emotional states..." At first glance, Dogwhine's artist bio reads like the opening to a freshman's college essay. Then, out of the blue, what initially appears to be a direct quote from the dictionary turns into a sly jab at the absurd prohibition on political gatherings of five or more people imposed by the junta: "Not all whines are created equally. Sometimes dogs gather to whine in group. When they come together more than five, they often get chased or taken away." Like hip-hop firebrands Rap Against Dictatorship who brought us the brilliant anti-junta Prathet Ku Mee (What's My Country Got), this Bangkok five-piece are unapologetically political from the outset.