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Search Result for “eda ezrin”

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LIFE

Asian talents score big at Cannes

Life, Kong Rithdee, Published on 31/05/2023

» From Japan to Malaysia by way of Vietnam, Asian filmmakers of disparate sensibilities triumphed at the recently-wrapped 76th Cannes Film Festival. The Palme d'Or may have gone to French filmmaker Justine Triet from her tense drama Anatomy Of A Fall, but six other awards handed out by the world's most influential film festival went to filmmakers from Asia, an unprecedented slate of recognition.

LIFE

Sympathy for the monster

Life, Kong Rithdee, Published on 25/05/2023

» Great filmmakers cling to their obsessions, fine-tuning them, polishing them, and returning to them over and over as if they were breathing the only air that keeps them alive. Hirokazu Kore-eda keeps telling the story of broken families and their casualties, especially children, often cast adrift and always looking for their rightful place in the world.

LIFE

10 films to watch out for

Life, Kong Rithdee, Published on 16/05/2023

» A fierce hijab girl, a Vietnamese pilgrimage, a Scorsese-DiCaprio team up and a new Cate Blanchett drama, Cannes Film Festival opens today with an eclectic taste of world cinema.

LIFE

Celebration of tradition

Life, Tatat Bunnag, Published on 20/01/2023

» Veteran filmmaker Hirokazu Kore-eda became known after winning the Palme d'Or at the 2018 Cannes Film Festival for the crime drama Shoplifters despite having directed films and TV series for nearly three decades. Renowned for his gentle sense of pacing, simple yet beautiful cinematography, and a focus on the complexities of family relationships, he showcased his skills in previous works such as After The Storm (2016), Like Father, Like Son (2013) and Nobody Knows (2004). However, the one that has stuck in my mind to this day is Our Little Sister (2015), a female-focused drama that gave us a cosy, heartwarming family story, along with rich cultural and beautiful vistas of the Japanese countryside.

LIFE

In Cannes, it's cinema as usual

Life, Kong Rithdee, Published on 17/05/2022

» After the cancellation in 2020 and a bump to the month of July in 2021 -- with smaller attendance as international travel was still interrupted -- the Cannes Film Festival returns to its usual mid-May slot, keyed up and fully prepped to show the world that it's cinema, and the cinema business, as usual.

LIFE

Gorgeous health tracker, lacklustre smartwatch

Life, Komsan Jandamit, Published on 31/03/2021

» This Fitbit Sense smartwatch tracks a lot of biometrics fast and accurately. For instance, it tracks the usual heart rate, steps, floors climbed and the unusual like your stress level, skin temperature, how well you sleep, electrodermal activities (EDA), and SpO2 (oxygen saturation level), and comes in a nicely compact clean looking square body.

LIFE

We Are One is one to watch

Life, Melalin Mahavongtrakul, Published on 04/06/2020

» Celebrate films with a historic festival that you can watch within the comforts of your own home.

LIFE

A comfortable option for streaming Japanese films

Life, Published on 16/03/2020

» Good news for lovers of Japanese films who don't want to go to the cinema and risk catching the deadly coronavirus in doing so. The "Japanese Film Festival Online" is a perfect choice, as it is streaming a dozen indie films that can be watched anywhere on their PCs and smartphones for three months.

LIFE

Zen and the art of the tea ceremony

Life, Tatat Bunnag, Published on 12/07/2019

» Serene, slow-paced and oddly affecting. Such is Every Day A Good Day, the latest work by Japanese director Tatsushi Ohmori, a drama that revolves around the meticulously detailed and delicate Japanese tea ceremony. The film is, sadly, the final movie role for Kirin Kiki, the beloved veteran of Japanese cinema. She passed away last September at the age of 75.

LIFE

Tsukamoto inspired by Japan's masters

Life, AP, Published on 22/11/2018

» Japanese filmmaker Shinya Tsukamoto turned to his country's masters for inspiration for his latest work, Killing, his first samurai movie. But he also emulated the way Martin Scorsese gave free rein to his actors, a technique Tsukamoto learned when he was cast in Silence as a Christian martyr.