Showing 1 - 6 of 6
Masterpiece musical returns to Bangkok after 12 years
Life, Published on 07/07/2025
» Barely a month away, The Phantom Of The Opera will return to Thailand for a limited season with a total of 22 shows to be staged at Muangthai Rachadalai Theatre, from Aug 5-31.
Artist explores crumbling ideals
Life, Published on 29/04/2024
» Atta Gallery is holding "Ayudhaya 2023", a photo painting exhibition by Manit Sriwanichpoom, a stalwart figure in the realm of contemporary art, from Thursday to June 16.
The eyes of a refugee
Life, Yvonne Bohwongprasert, Published on 24/06/2019
» Pairoj Pichetmetakul spent five days in Cox's Bazar, one of the world's largest refugee camps in Bangladesh. There, an estimated 1.4 million members of the Rohingya population, who have fled atrocities at the hands of Myanmar soldiers, are facing hardship. Due to their large numbers, humanitarian-aid agencies are barely able to offer basic necessities such as food, shelter and medicine, and often campaign for donations.
Outstanding films of 2018
Life, Kong Rithdee, Published on 28/12/2018
» From the spiritual to the scary, many genres had quality offerings.
Human behaviour
Life, Benjamin Tardif, Published on 05/11/2018
» Architecture at its pinnacle can be considered a monumental work of art. Jitti Chompee, artistic director of 18 Monkeys Dance Theatre and the Unfolding Kafka Festival, has built a reputation for using unusual spaces as canvases for his creations.
Sometimes transcendental, always relevant
Life, Kong Rithdee, Published on 25/05/2018
» The American films were on short supply this year at Cannes -- which in turn deprived the assembly line of red carpet material -- but nobody seemed to mind that except, well, some American media and fashion bloggers. That superfluous caveat aside, the recently wrapped 71st Cannes Film Festival was nearly unanimously praised as one of the best editions in recent memory, with a string of good, sometimes very good, titles playing night after night -- and even the bad films weren't so offensively bad, as was often the case. In the midst of soul-searching following the question of relevance (the world wants Avengers), the rise of streaming (the world watches films on phones), the decline of arthouse popularity, Cannes insists on the sacredness of cinema, on the future of the art, and this year it paid off solidly.