Showing 1 - 10 of 52
Is it worth it? Seeing through the marketing traps
Rattanan Wangkanjana, Published on 21/01/2026
» As purchasing power weakens and living costs soar, daily expenses shock Bangkok residents.
The toothpaste which created TV history
Roger Crutchley, Published on 28/09/2025
» Last week marked the 70th anniversary of television advertisements in Britain. For years the BBC had been the only TV network in Britain and no ads were allowed. But in the mid-1950s along came Independent Television (ITV) which was launched to create competition, the big difference being that it was permitted to finance itself by showing advertisements.
It was not exactly life in the fast lane
Roger Crutchley, Published on 24/11/2024
» It appears the bicycle lane launch on Sukhumvit 39 last Tuesday didn't get off to the most auspicious of starts. In fact it had to be hastily abandoned after one day. All it succeeded in doing was to create a massive traffic jam leading to gridlock on 17 major roads along with a communal sigh across the city.
You can look, but please don't touch
Roger Crutchley, Published on 01/09/2024
» When we were kids, most of us heard the words "don't touch that!" from our parents if we were in the presence of something breakable and possibly valuable. That's probably what a father wishes he had said when he took his four-year-old son to a museum in the Israeli city of Haifa last week.
The winner-take-all economy is ruining art, too
News, Allison Schrager, Published on 06/05/2024
» I was on the whole disappointed by this year's Whitney Biennial -- it was hard for me to tell if one video installation was art or an HR training video -- but as an economist, I have to admit the exhibition was successful in at least one respect: It did what art is supposed to do, which is to hold up a mirror to our society and economy. And this year's biennial shows how America's elite institutions are stifling innovation and creativity.
Clash of opinions
Oped, Postbag, Published on 03/04/2024
» Re: "Thaksin's influence no longer potent", (Opinion, April 1). I disagree with columnist Veera Prateepchaikul on two points. First, the convict Thaksin Shinawatra does remain influential: he powerfully taints every figure and institution that recklessly associates itself with him; that is a potent influence.
Are electric cars driving into a dead end?
Oped, Todd G Buchholz, Published on 02/02/2024
» In the early 1990s, every self-respecting American yuppie and retired suburban couple bought an electric bread maker, with sales hitting four million units. But the fad soon faded as these amateur bakers discovered that stuffing a precise quantity and ratio of flour, eggs, butter, yeast, and salt into a metal box takes time and costs much more than strolling to the corner bakery. Are plug-in electric vehicles (EVs) the breadmakers of our day?
When people browsed in bookshops
Roger Crutchley, Published on 17/12/2023
» Earlier this week I watched the 1987 film 84 Charing Cross Road. The reason for my interest was that the road has always been my favourite London thoroughfare. The film, which I won't go into, is about a long-distance literary friendship between characters played by Anne Bancroft and Anthony Hopkins.
Getting historic renovations right
Oped, Atch Sreshthaputra, Published on 09/11/2023
» There has been some good news about the conservation of heritage architecture in Thailand in recent years -- but bad news as well. First, the good part: our society is waking up to the value of heritage. Despite little public funding and weak legal protection, some old buildings and sites are being conserved. Many people, companies and institutions throughout the nation now recognise that preserving our historic architectural resources improves our economy, communities and quality of life.
Audience of one is better than none
Roger Crutchley, Published on 13/08/2023
» There was a story from the Edinburgh Fringe Festival last week concerning English actress Georgie Grier whose one-woman show Sunsets attracted a grand audience of one. A tweet with pictures of a tearful Grier after the show prompted considerable sympathy and the following night she found herself performing to a near full-house which she joked felt the equivalent of "Wembley".