Showing 1 - 10 of 19
Travelling post-Covid
B Magazine, Story by Pattarawadee Saengmanee, Published on 05/07/2020
» With the government's Rao Tiew Duay Gan scheme launched to boost domestic tourism as well as the recently-announced Songkran holidays which were moved from April to the end of this month, vacationers are drafting some itineraries to satisfy their wanderlust as many leading hotel chains and tourist attractions are offering several options of specially crafted holiday packages with extra benefits.
In Plain Language
B Magazine, Chanun Poomsawai, Published on 07/06/2020
» "And that's fine/ I'm wasting away," vocalist Ian Devaney announces over nervy guitars on Tournament, the opening track to Nation of Language's debut album, Introduction, Presence. "I took the long road home/ And it never paid off for me."
What's happening on Thailand's music landscape this week
B Magazine, Tatat Bunnag, Published on 15/03/2020
» Sun of Morning (March 16)
Is nothing sacred?
B Magazine, Andrew Biggs, Published on 15/12/2019
» "Hey… you're that farang who teaches English, right?"
Off the leash
B Magazine, Chanun Poomsawai, Published on 20/10/2019
» "Dogs whine to communicate their physical, mental and emotional states..." At first glance, Dogwhine's artist bio reads like the opening to a freshman's college essay. Then, out of the blue, what initially appears to be a direct quote from the dictionary turns into a sly jab at the absurd prohibition on political gatherings of five or more people imposed by the junta: "Not all whines are created equally. Sometimes dogs gather to whine in group. When they come together more than five, they often get chased or taken away." Like hip-hop firebrands Rap Against Dictatorship who brought us the brilliant anti-junta Prathet Ku Mee (What's My Country Got), this Bangkok five-piece are unapologetically political from the outset.
Portrait Of An Artist
B Magazine, Chanun Poomsawai, Published on 06/10/2019
» "I just don't wanna be back in this place again/ I mean, I done cried a little/ Tried a little, failed a little/ I don't wanna do it again," Brittany Howard confesses on History Repeats, a funky opener to her solo debut Jaime. Built on acid jazz and neo-soul groove, the song bustles with the genre-blurring spirit of her former band Alabama Shakes and her own irreverent energy. Singing those words, Howard sounds empowered and energised like a weight has been lifted. "History repeats and we defeat ourselves/ Come on everybody, one more time again," before you know it, the song turns into an infectious anthem, leaving in its wake a glimpse into her self-discovery that would go on to define the rest of the album.
Peace comes at last to prince(ss) of pandas
B Magazine, Andrew Biggs, Published on 22/09/2019
» To the casual observer, the news of the death of a panda bear in Chiang Mai last Monday may have elicited queries as to why it attracted such prominent media coverage.
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
Discover Bhutan, your field guide to happiness
B Magazine, Nianne-Lynn Hendricks, Published on 15/09/2019
» "Welcome to Bhutan, the Land of the Thunder Dragon," announces our Druk Air pilot, about 15 minutes before we land at Paro International Airport. For passengers like me, in a window seat on the left-hand side of the plane, the trip of a lifetime begins now.
So long Hawaiian shirt, hello disco ball
B Magazine, Chanun Poomsawai, Published on 25/08/2019
» The wait for and the painfully gradual lead-up to the release of Friendly Fires' third studio album, Inflorescent, have been a year-long affair, a process that began early last year with a quiet banger Love Like Waves. The way the album unfolds over the course of 15 months is perhaps not the most ideal in the age of music streaming where artists and labels have to appease elusive algorithms and metadata by constantly pumping out what they hope would be a next big smash.