Showing 1 - 10 of 198
Rediscovering an African legend
Life, John Clewley, Published on 16/01/2018
» In recent years, several master photographers, whose work captured the post-independence rise of popular music, have emerged from West Africa. The first was Seydou Keita, who was born in Bamako, the capital of Mali, and died in Paris in 2001. He set up a studio in Bamako in 1948 and took portraits there until 1963. His trademark hand-painted backdrops (modern roads with skyscrapers, kitchens with mod cons) and props (scooters, suits) provided the setting for Malians to show that they were modern.
Three is the magic number
Life, John Clewley, Published on 30/01/2018
» This week World Beat considers three stringed instruments from Africa: the valiha from Madagascar, kora from West Africa and oud from North Africa (which may have originated in what was Persia). All these instruments are plucked and 10 years ago, a bright spark in the music business thought it would be a good idea to bring together three master pluckers of these three instruments to see what music they might create. The result was the 3MA project release back in 2008.
Marrabenta, Mozambique's popular groove, is rarely heard
Life, John Clewley, Published on 13/02/2018
» The rise of post-independence popular music in Africa has unleashed a wide array of genres from many regions. A snapshot might show, from North Africa, Algerian Rai music, and street music like shaabi from Egypt; West Africa has gumbe, Malinke music, Tamashek, afrobeat and highlife and mbalax; the Congo region has its rumba Congolais and myriad dance forms, while South Africa has mbaqanga.
Killer rhythms from the Congo
Life, John Clewley, Published on 06/03/2018
» The influence of Congolese rumba, sometimes called soukous in the Anglophonic world, on East and Southern African music is considerable. You can hear the influence of Congolese guitars on Kenyan, Zimbabwean and Tanzanian popular music. Indeed, in my last column I wrote about how this guitar-based sound had even influenced the music of Orchestra Marrabenta in Mozambique.
Pulsating percussion
Life, John Clewley, Published on 20/03/2018
» Musicians from Indonesia's premier gamelan fusion group SambaSunda recently celebrated their 25th anniversary with the release of a new album, Taramurag: The Story Of Rangkay (GNP, Indonesia).
Remembering Kak Channthy
Life, John Clewley, Published on 03/04/2018
» The news last week that the lead singer of the Cambodian Space Project, Kak Channthy, had died in a car crash in Phnom Penh has shocked her fans in Cambodia and across the globe. She was 38 years old.
Verbal duels and bawdy lyrics
Life, John Clewley, Published on 18/04/2018
» World Beat was at the Korat Festival recently to check out the activities based around paying homage to the Thao Suranari Monument, or Ya Mo, as it is known locally. Korat, or Nakhon Ratchasima, is often thought of as the gateway to Isan, the northeastern region of the country.
In tribute to the mighty Charles 'Horn Man' Neville
Life, John Clewley, Published on 01/05/2018
» World Beat is in mourning this week, following the sad news that saxophonist and founder member of one of New Orleans finest bands, The Neville Brothers, Charles Neville, passed away last Thursday. He was 79 years old.
Put some schoolin' on ya
Life, John Clewley, Published on 15/05/2018
» This year marks the 100th anniversary of the birth of a New Orleans musical legend: Henry Roeland "Roy" Byrd, better known as Professor Longhair or just plain "Fess". He was born on Dec 18, 1918, in Bogalusa, Louisiana, and later moved to New Orleans with his mother.
When world music was opening our ears
Life, John Clewley, Published on 29/05/2018
» The 1980s was a period when non-Anglophonic mainstream bands started to make waves at festivals and music stores in Europe. Pioneering festivals like Angouleme in France exposed bands from Africa, Asia, Middle East and the Caribbean to international audiences. This is how the first wave of the boom in so-called "world music" started; these bands then began to release albums, which were often marketed from indie record stores. This is how we found out about Salif Keita, Mory Kante, Cheb Khaled and Mahlathini and the Mahotella Queens.