Showing 41 - 50 of 330
Driving ambition
B Magazine, Chanun Poomsawai, Published on 13/10/2019
» Brisbane-born singer-songwriter and rapper Grace Shaw is not afraid to dream big. "Anything is possible if you just say that you're going to do it. That's honestly such a lifehack," she said recently in an interview with Fader. Shaw, who performs as Mallrat, went on to mention that she hopes to one day write songs for artists like Rihanna, Beyoncé and Camila Cabello. Her aspirations may sound rather ambitious, especially for a relatively new talent. But looking at the 21-year-old's resume, which includes two solid EP releases, a tour with fellow Aussie rapper Allday and opening for Post Malone, you can't help but wonder that she might be on to something.
The S.L.P. Experience
B Magazine, Chanun Poomsawai, Published on 15/09/2019
» When Sergio Lorenzo Pizzorno came out with his first solo single, Favourites, back in June, we were pleasantly surprised. The song, an unlikely collaboration with UK rapper Little Simz, gave us an early glimpse into what could be expected from Pizzorno's solo project -- a whole lot of wacky swagger coated with a good amount of sonic experimentation. Listening to it closely, you can easily detect that indie impishness of his band Kasabian as well as the genre-hopping tendencies of Gorillaz. It's an impressive balancing act of breakbeat backdrop and funky basslines that sounds entirely new and familiar all at once.
From his home base
B Magazine, Chanun Poomsawai, Published on 22/09/2019
» It's not often that the success of an artist can be attributed to his/her talent alone. Without the full backing of a major label, most artists would struggle to get the sort of exposure required to bring them international recognition. Thai singer-songwriter Phum Viphurit, however, is an extraordinary exception. Signed to Bangkok's bona fide indie label Rats Records, the young singer-songwriter showed immense potential from the get-go with his 2014 English-language debut single Adore. Since then, he has delivered gem after gem, dealing in breezy folky rock perfect for a road trip to the seaside or a session around the campfire.
Forever is a long time
B Magazine, Chanun Poomsawai, Published on 29/09/2019
» Let's be frank, bands like Metronomy are hard to come by these days. Call us myopic, but we honestly can't think of any up-and-coming groups who would be savvy enough to come up with classic indie jams like A Thing For Me, The Look, The Bay and Everything Goes My Way. A knack for blending eclectic genres seems to come naturally to the UK quartet, a gift that served them especially well from 2008's Nights Out through to 2014's Love Letters.
So long Hawaiian shirt, hello disco ball
B Magazine, Chanun Poomsawai, Published on 25/08/2019
» The wait for and the painfully gradual lead-up to the release of Friendly Fires' third studio album, Inflorescent, have been a year-long affair, a process that began early last year with a quiet banger Love Like Waves. The way the album unfolds over the course of 15 months is perhaps not the most ideal in the age of music streaming where artists and labels have to appease elusive algorithms and metadata by constantly pumping out what they hope would be a next big smash.
Fight The Fear
B Magazine, Chanun Poomsawai, Published on 01/09/2019
» In his 1818 poem When I Have Fears, English Romantic poet John Keats talks about death anxiety, touching upon all of the things he wouldn't be able to achieve and/or experience before his demise. This universal fear has continued to resonate today, especially in the age where fear of missing out is constantly triggered by social media and unrelenting hyperconnectivity. The poem, too, has struck a chord with rising Dublin five-piece The Murder Capital and gone on to inspire their eponymous debut studio album rooted firmly in art-rock and post-punk traditions.
Snowed in
B Magazine, Chanun Poomsawai, Published on 08/09/2019
» "If I lay here/ If I just lay here/ Would you lie with me/ And just forget the world?" Honestly, it's hard not to automatically think of the devastating chorus of Chasing Cars whenever the band Snow Patrol is mentioned. To a great extent, the Northern Irish/Scottish quintet have American hospital drama Grey's Anatomy to thank for single-handedly popularising the song through one of the series' heart-rending season finales. Snow Patrol suddenly became a household name worldwide, continuing the legacy of post-Britpop previously jump-started by bands like Travis, Coldplay and Keane.
A glow of satisfaction
B Magazine, Chanun Poomsawai, Published on 18/08/2019
» In 2017, the world got to know singer-songwriter Mattiel Brown and her band (guitarist Jonah Swilley, bassist Travis Murphy and drummer Jordan Manley) for the first time. Collectively called Mattiel, the up-and-coming quartet made quite an impression with their self-titled debut -- so much so that they garnered an endorsement from Jack White. Since then, the hype surrounding the band has been nothing short of palpable. People are genuinely excited by Mattiel's sound, which takes cues from rock'n'roll legends like The Ramones, The Rolling Stones and The Velvet Underground, and garage/punk icons like Patti Smith and The Clash.
Still hanging around
B Magazine, Chanun Poomsawai, Published on 04/08/2019
» "Life is short, I can't spend any more time on an airplane playing in front of people who have no idea who I am. It doesn't feel spiritual anymore. I'm ready for a more intimate life," explains Swedish indie-pop songstress Lykke Li in her recent Vogue interview in which she was asked whether she was planning to retire like she'd previously mentioned on her social media post. As it turns out, not only is she not retiring, Li's co-organising the inaugural edition of YOLA DÍA, "a festival for people who hate music festivals" celebrating strong women in music set to take place in LA next Sunday.
Dreaming awake
B Magazine, Chanun Poomsawai, Published on 21/07/2019
» "What's that? (I may be paranoid, but no android)/ What's that? (I may be paranoid, but no android)," Thom Yorke sings on the lead single off Radiohead's third studio album, 1997's OK Computer.