Showing 1 - 5 of 5
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
A vintage year for Thai cinema?
Life, Kong Rithdee, Published on 25/12/2023
» There were cheers of jubilation and gasps of disbelief as Thai cinema found itself awash with excitement in 2023. This has been the most successful year for mainstream Thai movies in a decade, a box-office triumph far exceeding all expectations. To many, the 2023 coup de theatre calls for celebration. "We are back!" cried optimistic pundits. But also: "Really? Is it just a one-time cinema party and can we keep the ball rolling?"
Time is not on anybody's side
Life, Kong Rithdee, Published on 15/10/2021
» There's the anatomy -- the bone and the flesh, supple or flaccid. Then there's time, the cruellest judge of all. In Jakrawal Nilthamrong's Anatomy Of Time (the Thai title is simpler, Wela), the first sound we hear is a tick-tock metronome like the soundtrack of the cosmos as we watch an old lady gently tending to her tubed and bedbound husband. Time will be folded back. The old woman will become young and her dying husband will appear as a spirited, dashing military captain fighting communist insurgents for the good of the nation.
Melancholy and absurdity
Life, Kong Rithdee, Published on 14/05/2021
» Chaitanya Tamhane was 27 years old when his breakthrough film Court became a critical sensation and won the Lion of the Future Award at the Venice festival in 2014. A film of understated power about India's Kafkaesque judicial tribulation, Court announced the arrival of an exceptional talent from Mumbai, a proud cinema city usually associated with rambunctious Bollywood titles.
Imagining Krabi
Life, Kong Rithdee, Published on 11/03/2020
» There's an archaeology of narrative in Krabi, 2562, a film by Anocha Suwichakornpong and Ben Rivers currently showing in select Bangkok cinemas. Layer upon layer, stratum upon stratum, dust on dust, it gives us a glimpse of how history, legend and biography is constructed. Like playful excavators, the two filmmakers peel off the palimpsest of a place and its people, real and imagined.