Showing 1 - 10 of 43
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Pen-ek Ratanaruang's Morte Cucina shows off killer Thai cuisine at Tokyo film festival
Life, Kong Rithdee, Published on 31/10/2025
» Pen-ek Ratanaruang's new film features a protagonist on a quest for culinary retribution -- a triglyceride revenge trip that gets greasier and weirder along the way.
Paradise lost
Life, Kong Rithdee, Published on 04/04/2025
» In Grand Tour, Miguel Gomes' beguiling travelogue set in 1917, a British diplomat in Burma journeys across Southeast Asia, hopping from country to country, to avoid an encounter with his fiancée. Edward (Gonçalo Waddington) is a colonial officer who, struck by an inexplicable premonition or a case of cold feet, decides to flee Mandalay just before his sweetheart Molly (Crista Alfaiate) is due to arrive. He boards a ship to Singapore, then a train to Bangkok -- it derails on the way, but still makes it -- and onwards to Saigon, Manila, Osaka and Chongqing. Molly, pursuing him, would repeat a more or less similar route.
The magic of Méliès
Life, Kong Rithdee, Published on 21/11/2024
» Among the many museums in Paris, the Musée Méliès may slip through visitors' attention. That should not be the case.
Cannes asks: Cinema anyone?
Life, Kong Rithdee, Published on 17/05/2024
» To remind us that we're here because of cinema, the 77th Cannes Film Festival did an uncanny double bill on its first day. The festival opened on Tuesday and will run until May 25. On the first afternoon, before the ritzy kerfuffle of the opening red carpet, Cannes screened the first part of the restored 1927 silent film Napoleon, an audacious epic of the French Revolution by Abel Gance, who 97 years ago tested the limits of what cinema could do with exhilarating results (the entire film runs for seven hours; we were treated to the first four here).
Poor Barbie... Oppenheimer's the bomb
Life, Kong Rithdee, Published on 08/03/2024
» The annual guessing game to read the minds of inscrutable Oscars voters is here.
The afterlife of Mitr Chaibancha
Life, Kong Rithdee, Published on 06/10/2023
» In an abrupt moment of life's brutal script, Mitr Chaibancha fell to his death from a helicopter ladder on Oct 8, 1970. He was filming Insee Thong (Golden Eagle), playing an anti-communist masked hero, when he slipped from the rung and plunged to the ground in Pattaya. That same evening, his body was transported to Wat Kae Nang Loeng. Thousands of people, unable to believe that Thailand's most famous actor was really, tragically dead, amassed impromptu at the temple and demanded that his corpse be raised from the coffin and shown to the public.
Asian talents score big at Cannes
Life, Kong Rithdee, Published on 31/05/2023
» From Japan to Malaysia by way of Vietnam, Asian filmmakers of disparate sensibilities triumphed at the recently-wrapped 76th Cannes Film Festival. The Palme d'Or may have gone to French filmmaker Justine Triet from her tense drama Anatomy Of A Fall, but six other awards handed out by the world's most influential film festival went to filmmakers from Asia, an unprecedented slate of recognition.
The next step in evolution
Life, Kong Rithdee, Published on 27/05/2022
» The maestro is teasing us, with his favourite instrument: the scalpel. Mechanical, electrified scalpels that split open the flesh -- often, the belly -- like a bulging purse being unzipped. This time, what comes out of the belly is a menagerie of grotesque organs -- organs with neither names nor functions, grown inside the body primed for involuntary evolution.
Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?