Showing 1 - 10 of 15
Journalism is the first victim in a conflict
Oped, Kong Rithdee, Published on 31/07/2025
» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.
Love, beauty, violence
Life, Kong Rithdee, Published on 24/05/2024
» Last year, the world embraced Barbie and Poor Things, two outstanding films that tapped into the state of female consciousness in the 21st century. At the 77th Cannes Film Festival, which ends tomorrow, women-driven stories of all stripes are pushed further up (or down) the emotional spectrum. A noticeable number of titles premiering at the influential festival feature female protagonists in varying states of joy and distress -- and to varying results. Powerful acting by female talent also injects life and spirit into those stories, hailing from all corners of the Earth.
Ripley strikes quite exquisitely, again
Life, Kong Rithdee, Published on 12/04/2024
» Just when you thought the original book was bled dry, its last drop of smouldering homoerotic blood squeezed and sucked by multilple movie adaptations, from Rene Clement (French) and Anthony Minghella (American) to Liliana Cavani (Italian), here comes Steven Zaillian's seven-episode Netflix series bluntly titled Ripley. Dusky and exquisitely coldblooded, the latest reworking proves that the Patricia Highsmith's 1955 novel The Talented Mr. Ripley is a living gift that continues giving after 69 years.
Into the devil's lair
Life, Kong Rithdee, Published on 05/11/2021
» Like a session of cinematic séance, Rang Zong (The Medium) channels a cemetery-sized roll call of classic horror elements. The film, recently picked as Thailand's representative for the Oscar's International Feature, is proudly possessed by the ghosts of The Exorcist, The Blair Witch Project, the Paranormal Activity franchise, and Ari Aster's Midsommar, but with Southeast Asia's earthy voodooism, plus a serving of Korean-style blood-and-viscera gore as well as an icing of zombie scare-aesthetics. It's a full-course buffet of fright tricks, complete with an apocalyptic, 30-minute-long exorcism orgy that leaves no spell unuttered and no human unpossessed. All of this is couched in a faux-documentary setup, with handheld shots, grainy CCTV footage and characters speaking directly to the camera.
Come and see (no need to pray)
Life, Kong Rithdee, Published on 06/04/2021
» In an ordinary democracy, a film like Ehipassiko (in English, Come And See) shouldn't have had the least bit of worry about the possibility of being banned. The subject itself initially provoked the censors' impulse: this is a finely-tuned, patiently observed documentary about the controversial Wat Dhammakaya and the dramatic 2017 siege of the temple.
In School Town King, the kids are not all right
Life, Kong Rithdee, Published on 01/01/2021
» There's a sense of immediacy in School Town King, a Thai documentary about two teenage rappers from the Klong Toey slums. On the surface, this is an advocacy film, one that patiently follows the two underprivileged ghetto boys with an unorthodox dream and their misadventures in Thai schools. But what makes School Town King feel urgent is its exposé of structural narrow-mindedness and the ideological straightjacket that leaves no room for kids who do not fit the mould. The conservative school policy, the film suggests in its visual clues and off-the-cuff asides is a chronic condition that has worsened by the arrogantly old-school regime of past years. In the year of Bad Students and Free Youth upheaval, School Town King is a deafening confirmation that the kids are not all right -- and it's surprising only for ignorant adults why they no longer want to put up with it.
Art as our escape
Life, Kong Rithdee, Published on 16/09/2020
» This year's theme is at once hopeful and ironic: "Escape Routes" suggests a flight from our unusual times of pathological disruption and political cataclysm -- here, there and everywhere -- and yet the theme is an acknowledgment of those in-our-face uncertainties from which we struggle to find an exit.
Cool Pattani
Life, Kong Rithdee, Published on 06/09/2019
» Last weekend, along an old street in Pattani, skater boys and Lambretta riders were hanging out with poets and activists. As the rain let up and the night cooled, jazz musicians hummed and strummed, while a DJ was spinning upbeat music next to a digitally-mapped, fashionably-faded brick wall.
Underwater folly
Life, Kong Rithdee, Published on 12/06/2019
» In the aquatic chamber, the tank looms. Encrusted and barnacled, the mighty war machine has become a home of fish and corals. It seems incapacitated, abandoned, useless. Such is an illusion: if the tank is submerged, we're down there with it, drowned in that inexorable aquarium. Look, its gun still points at us, and its shadow all-consuming.
A nation of millions can't hold them back
News, Kong Rithdee, Published on 29/10/2018
» Rhymes and misdemeanours. Yo, yo. Rappers are threatened to be thrown in a slammer.