Showing 1 - 10 of 51
The politics of taste in our election season
Oped, Kong Rithdee, Published on 26/12/2025
» Hell is other people's tastes. Hell is when we passionately hate what people unconditionally love. Hell is when we can't fathom how anyone on the face of the earth can like someone or something we find revolting -- a food, a film, a style, an opening ceremony, a politician, a president.
Where the struggle begins
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Journalism is the first victim in a conflict
Oped, Kong Rithdee, Published on 31/07/2025
» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.
Cinema of resistance wins at Cannes
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Cannes 2025: What's on our watch list
Life, Kong Rithdee, Published on 13/05/2025
» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.
And the winner is...
Life, Kong Rithdee, Published on 28/02/2025
» The words and the verdicts on Oscars 2025.
The Silent Film Festival keeps echoing
Life, Kong Rithdee, Published on 06/09/2024
» A rocket-bullet plunging into the Moon’s eye, its mouth pursed halfway between a sneer and a smile. You’ve seen it before, but it’s time to witness one of cinema’s most recognisable images from Le Voyage Dans La Lune (1902) in its colour glory at the 8th Silent Film Festival in Thailand, the annual banquet of early cinema hosted by the Thai Film Archive.
Will gentrification respect city's people?
Oped, Kong Rithdee, Published on 28/06/2023
» We've lived for over a century in the shadow of grandeur: near the Customs House, known to Thais as rongpasi. "We" means my maternal family and the community of Haroon Mosque. Each day before sunrise, the muezzin's sing-song call rings through the neighbourhood, carried on the river wind towards the Mandarin Oriental Hotel, the French Embassy and Assumption Cathedral.
Changing the narrative
Life, Kong Rithdee, Published on 02/09/2022
» A man returns home from work in Malaysia after Covid-19 struck, then gets lost in a bureaucratic labyrinth trying to get government handouts. Another woman finds a job at a factory, but the rules require her to compromise her faith. In Yala, a skater boy sets out in search of a friendly park where he can enjoy his ride. A hijab-wearing K-pop fanatic is getting married to a man who has just converted to Islam. And in a Pattani family, a young man watches his mother being possessed by a spirit, possibly a black-magic attack from his business rival.
Deep in the paradox
Life, Kong Rithdee, Published on 25/05/2022
» In Cairo, a religious student at the prestigious Al-Azhar Islamic University is recruited by secret police to infiltrate a Muslim Brotherhood cell. In Mashad, a holy city in Iran, a serial killer prowls a seedy suburb and strangles head-scarfed prostitutes. In the first film, bloodlust officials torture dissidents with abandon. In the second film, religion is evoked and the name of God is cited as a justification for murder. This begs the obvious question: Will Boy From Heaven be banned in Egypt, and Holy Spider Iran?