Showing 1 - 10 of 55
Life, Kong Rithdee, Published on 04/11/2025
» Annemarie Jacir's Palestine 36 reminds us that the question of Palestine didn't begin two years ago but generations before that. Showing at the Tokyo International Film Festival, the film is set in the aftermath of World War I as the European powers carve up the Middle East like a spoiled child slicing his birthday cake: gleefully, arbitrarily, jabbing their fingers on a map with no regard of history or the need of local inhabitants.
Oped, Kong Rithdee, Published on 28/08/2025
» Ghosts are useful because they remind us of the unresolved, the unsettled, the unfinished -- in life, love, politics, or history. The film of the moment hitches onto that idea and takes it far, as far as the Cannes Film Festival, and now it has been picked as Thailand's representative for the Oscars.
Oped, Kong Rithdee, Published on 31/07/2025
» In times of chaos, to call for calm seems naïve. "Imagine there's no countries." Sure, John, I know your utopianism was well-intended, but try telling that to the blood-hounding jingoists running rampant online in Cambodia and Thailand.
Life, Kong Rithdee, Published on 27/05/2025
» In a year full of richly textured stories about female trauma and painful personal growth, the Cannes jury, led by Juliette Binoche, took the noble route and gave the Palme d'Or to the most political film in the 22-title competition.
Kong Rithdee, Published on 22/05/2025
» CANNES — The Thai film Pee Chai Dai Ka (A Useful Ghost) has won the Grand Prix at Critics’ Week, a parallel section of the Cannes Film Festival, becoming the first Thai film to ever win the prize.
Life, Kong Rithdee, Published on 13/05/2025
» The 78th edition of Europe's biggest film festival starts today. We take a look at some notable titles across different sections -- Competition, Un Certain Regard, Directors' Fortnight and Critics' Week -- including a Thai film.
Life, Kong Rithdee, Published on 28/02/2025
» The words and the verdicts on Oscars 2025.
Life, Kong Rithdee, Published on 17/12/2024
» The past year was surprisingly fantastic for Thai cinema, and a pretty good one for the rest of the world too.
Life, Kong Rithdee, Published on 06/11/2024
» Materials, objects, found items -- Prach Pimarnman's art is based on the strict conceptualisation of those elements. Raised in Narathiwat, with a family both in Bangkok and the southern province, Prach has investigated Deep South questions conditioned by a fraught, unsettling history and its contemporary aftermath. His works are grounded in the subtlety of texture -- teacups, cement, barbed wire, quilts sewn by local housewives -- and invites reflections on more than one level.
Life, Kong Rithdee, Published on 06/09/2024
» A rocket-bullet plunging into the Moon’s eye, its mouth pursed halfway between a sneer and a smile. You’ve seen it before, but it’s time to witness one of cinema’s most recognisable images from Le Voyage Dans La Lune (1902) in its colour glory at the 8th Silent Film Festival in Thailand, the annual banquet of early cinema hosted by the Thai Film Archive.