Showing 91 - 100 of 470
Be my guest
Life, Kong Rithdee, Published on 13/12/2019
» Some arrived by boat, others by air. Some came when the British still ruled their homeland, others were driven by the bloodshed of The Partition. Some came with numerous gods, others with the one and only Allah. Some came from near Bombay, others from in and around Madras. Some came with the intention of returning, others arrived knowing that there was no going back.
Nang Nak at 20
Life, Kong Rithdee, Published on 26/07/2019
» Thai cinema saw a new horizon open 20 years ago up this month. On July 23, 1999, a little film called Nang Nak opened in cinemas. An adaptation of the country's most popular ghost tale about a wife who died in childbirth but stuck around as a spirit waiting for her husband to return from war, the film arrived carrying high hopes -- and exceeded all of them. Nang Nak, directed by Nonzee Nimibutr and written by Wisit Sasanatieng, unleashed an unprecedented momentum of enthusiasm and became the first Thai movie to blaze past the 100-million-baht mark at the box office.
Women in motion
Life, Kong Rithdee, Published on 24/05/2019
» In Senegal, a teenage Muslim girl in an arranged marriage reunites with her lover, who has returned from his aquatic death. In London, a scientist mother engineers a new plant species that begins to dominate the mind of her young son. In 18th-century France, a portrait painter travels to an island off Brittany to paint a young aristocrat and finds herself smothered by love.
Cinema Politico
Life, Kong Rithdee, Published on 14/12/2018
» The premiere of the social-commentary film Ten Years Thailand on Tuesday night saw a number of political celebrities in the vaulted foyer of the Scala, brushing elbows with journalists, film professionals and gawking onlookers. Sulak Sivaraksa was there, as well as historian Charnvit Kasetsiri, Thongthong Chandrangsu and several political-science scholars. Big names from political parties showed up: Thanathorn Juangroongruangkit from Future Forward, Parit Ratanakulserirengrit from the Democrats, Chatchat Sitthiphun and Wattana Muangsuk from Pheu Thai, Sombat Boon-ngamanong from Krian Party. Invitations had been sent out to all parties, according to the film producers, but no one from Palang Pracharat and Bhumjaithai attended the screening.
Once upon a time on the French Riviera
Life, Kong Rithdee, Published on 14/05/2019
» The spectacle ahead will -- hopefully (cinema sages are an optimistic bunch) -- be spectacular. The 72nd Cannes Film Festival opens tonight and there are all manner of curiosities to look forward to: an army of hipster zombies; Margot Robbie as Sharon Tate; Korean parasites; a Maradona doc; an Elton John biopic; Islamic extremism in Belgium; British miserabilism (Brexit and other demons); and, of course, Elle Fanning on the red carpet for 11 days straight, performing jury duty at the world's most reported, most hyped and most influential film festival.
Through the prism of history
Life, Kong Rithdee, Published on 04/10/2019
» The book's title is printed on its spine: Prism Of Photography: Dispersion Of Knowledge And Memories Of The 6 October Massacre. Thereafter, from the first page on, we have only photographs with no captions.
On the edge of sanity
Life, Kong Rithdee, Published on 17/01/2020
» In Robert Eggers' The Lighthouse, Willem Dafoe is a demented Poseidon, or perhaps a crazed, ocean-battered ex-sailor on the run from a Melville novel. Playing one of the two lighthouse keepers on a wind-whipped rocky islet in the Atlantic, circa 1890s, Dafoe turns up his mad-uncle mode, feral hair, chronic farting and drawling speech, plus a possessive relationship with the lantern -- the source of light atop the lighthouse (he refers to it as a "she").
Saint and sensibility
Life, Kong Rithdee, Published on 16/05/2019
» A Christian fable or a Marxist allegory? A magical-realist myth or a political cry against neoliberalism (or feudalism, which produces the same catastrophe anyway)?
Memories buried in soil
Life, Kong Rithdee, Published on 19/07/2019
» Memories and war, illusory borders and invisible scars: These themes are resonant in two documentary films shown late last month at the SAC Film Festival (hosted by the Princess Maha Chakri Sirindhorn Anthropology Centre). In the Thai documentary Din Rai Dan (Soil Without Land), a Tai Yai man in Shan state talks about his life as a waiter in Bangkok and as a soldier in his ethnic army. In the Vietnamese film The Future Cries Beneath Our Soil, a group of men in a rural village bear the indelible wounds of the Vietnam War, still stinging after 40 years.
SEA of delights
Life, Kong Rithdee, Published on 04/07/2019
» The Bangkok Asean Film Festival runs until July 8 and features 30 titles. Here are our top picks.