Showing 91-100 of 562 results
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Footloose and fancy-free
B Magazine, Chanun Poomsawai, Published on 17/03/2019
» Over the past decade, Beirut's Zach Condon has been a go-to guy for what I like to refer to as "speciality indie rock". This is just a fancy way of saying that the music is unlike your typical indie sound. Beirut are masters when it comes to injecting world music elements into their repertoire, which has accumulated into a sizeable discography since their 2006 debut Gulag Orkestar. And although the boys may have faltered somewhat with previous effort No No No, they're back stronger than ever with their latest, Gallipoli.
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An accessible yet enchanting reimagination of Romeo & Juliet
Life, Sawarin Suwichakornpong, Published on 31/08/2018
» "Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierc'd the fearful hollow of thine ear; Nightly she sings on yon pomegranate tree: Believe me, love, it was the nightingale." Romeo And Juliet, William Shakespeare
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Let England shake
B Magazine, Chanun Poomsawai, Published on 02/12/2018
» "And especially, from every shire's end of England/ The holy blissful martyr for to seek/ That them had helpened when that they were weak." So begins Merrie Land, the second LP by The Good, The Bad & The Queen, a supergroup made up of Blur frontman Damon Albarn, guitarist Simon Tong from The Verve, bassist Paul Simonon from The Clash and Nigerian drummer Tony Allen. Titled Introduction, the album's brief opener is based on an excerpt from Geoffrey Chaucer's The Canterbury Tales -- the perfect premise for a record concerned with the uncertain future of a post-Brexit UK.
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So long Hawaiian shirt, hello disco ball
B Magazine, Chanun Poomsawai, Published on 25/08/2019
» The wait for and the painfully gradual lead-up to the release of Friendly Fires' third studio album, Inflorescent, have been a year-long affair, a process that began early last year with a quiet banger Love Like Waves. The way the album unfolds over the course of 15 months is perhaps not the most ideal in the age of music streaming where artists and labels have to appease elusive algorithms and metadata by constantly pumping out what they hope would be a next big smash.
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Coming Ashore
B Magazine, Chanun Poomsawai, Published on 23/04/2017
» On their latest EP, the post-rock quintet pick up where they left off two years ago, offering a new roster of grand-sounding, cathartic instrumentals
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Tokyo stories
Life, Melalin Mahavongtrakul, Published on 25/10/2018
» The 31st Tokyo International Film Festival opens today with a fine selection of films from East and West. Held at Roppongi Hills, TIFF, one of Asia's largest film fests, is serving up cinematic treats from Japan and around the world. Opening the festival is A Star Is Born, the Bradley Cooper-Lady Gaga musical romantic drama. Closing the festival on Nov 3 will be Japanese animation Godzilla: The Planet Eater, the final chapter of the animated monster trilogy.
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Bismillah, Freddie will not let us go
Life, Kong Rithdee, Published on 02/11/2018
» Freddie Mercury, played with an earnest commitment bordering on fetishism by Rami Malek in the biographical film Bohemian Rhapsody, is a rock star the likes of which we hadn't seen before the 1970s and haven't since: An Asian frontman of a British rock outfit, a four-octave opera lover who sang in leotards and thongs, a proud organiser of orgiastic jamborees, and a gay man who endeared himself to the hard-rock audience that, in all likelihood in those pre-diversity days, either failed to realise that their mustachioed rock-god was out-and-out queer or suppressed their suspicion so completely that they didn't feel any cognitive dissonance in their devotion to Queen. Even the name Freddie gave the band laid it all bare.
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La La Land, Moonlight directors invoke 2016
Life, Kong Rithdee, Published on 13/09/2018
» Two years ago it was Damien Chazelle's La La Land vs Barry Jenkins' Moonlight at the Oscars. This year, the race between the same two directors seems to be shaping up again. This week at Toronto International Film Festival, Chazelle returns with his "Moon movie" First Man, and Jenkins with his adaptation of James Baldwin's If Beale Street Could Talk. The award season -- for those who still care -- is gearing up full steam now.
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Low's Highest Highs
B Magazine, Chanun Poomsawai, Published on 30/09/2018
» Over the past two decades, not only have Minnesota's indie rockers Low carved out their own signature soundscape, they've also thrived in it. Their sound, largely existing in the slowcore territory, has a quiet way of sneaking up on the listener despite its surface minimalism. Now, after 11 fantastic albums under the collective belt, the threesome of Alan Sparhawk, Mimi Parker and Steve Garrington return with Double Negative, the band's 12th studio effort that also marks their 25th year in the business.
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The Killers kill it at Thunder Dome
Life, Apipar Norapoompipat, Published on 26/09/2018
» Despite the absolute chaos of acquiring wristbands to enter Thunder Dome's concert hall (VIJI Corp, please figure this out), Las Vegas-based rock band The Killers made up for it 10 times over with possibly one of the best rock concert experiences in Thailand this year.
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